Age: 36
female
Mia Wasikowska (/ˌvʌʃɪˈkɒfskə/ VUSH-i-KOF-skə; born 25 October 1989) is an Australian actress. She made her screen debut on the Australian television drama All Saints in 2004, followed by her feature film debut in Suburban Mayhem (2006). She became known to a wider audience following her critically acclaimed work on the HBO television series In Treatment (2008). She was nominated for the Independent Spirit Award for Best Supporting Female for the film That Evening Sun (2009). Wasikowska gained worldwide recognition in 2010 after starring as Alice in Tim Burton's Alice in Wonderland and appearing in the comedy-drama film The Kids Are All Right. She starred in Cary Fukunaga's Jane Eyre (2011), Gus Van Sant's Restless (2011), Park Chan-wook's Stoker (2013), Jim Jarmusch's Only Lovers Left Alive (2013), John Curran's Tracks (2013), Richard Ayoade's The Double (2013), David Cronenberg's Maps to the Stars (2014), and Guillermo del Toro's Crimson Peak (2015). In 2016, she reprised her role as Alice in the film Alice Through the Looking Glass and has since appeared in several independent films, including Damsel (2018), Judy and Punch (2019), and Bergman Island (2021). Description above from the Wikipedia article Mia Wasikowska, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ansel Packer is scheduled to die in twelve hours. He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake.
