
Age: 42
female
Rebecca Louisa Ferguson Sundström (born 19 October 1983) is a Swedish actress. She is bilingual and has worked extensively in Sweden, Great Britain, and mainly in the United States. Ferguson began her television acting career in 1999 with the Swedish soap opera Nya Tider, and she made her motion picture debut in 2004 with the Swedish slasher film Drowning Ghost. She came to international prominence with her portrayal of Elizabeth Woodville in the British BBC drama The White Queen (2013), for which she was nominated for a Golden Globe for Best Actress in a Miniseries or Television Film. Ferguson starred as MI6 agent Ilsa Faust, opposite Tom Cruise, in three of the Mission: Impossible films: Rogue Nation (2015), Fallout (2018), and Dead Reckoning Part One (2023). She played Jenny Lind in the musical film The Greatest Showman (2017), starred in the horror films Life (2017) and Doctor Sleep(2019), and had supporting parts in the comedy-drama Florence Foster Jenkins (2016), the thriller The Girl on the Train (2016), and the science fiction films Dune(2021) and Dune: Part Two (2024). In 2023, she began starring in the Apple TV+science fiction series Silo. Description above from the Wikipedia article Rebecca Ferguson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Ansel Packer is scheduled to die in twelve hours. He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake.
