Age: 39
male
Elliot Page (born February 21, 1987) is a Canadian actor, producer, and activist. He is known for his leading roles across Canadian and American film and television, and for his outspoken work as an activist for LGBTQ rights and against discrimination. His accolades include nominations for an Academy Award, three BAFTA Awards, two Primetime Emmy Awards, a Golden Globe Award, and a SAG Award. After beginning his career in television, Page earned recognition for his starring role in the film Hard Candy (2005) and for playing Kitty Pryde in X-Men: The Last Stand (2006). He received critical acclaim for portraying the title character in Juno (2007), becoming the fourth-youngest nominee for the Academy Award for Best Actress at the time. His other film credits include The Tracey Fragments (2007), Whip It (2009), Super (2010), Inception (2010), X-Men: Days of Future Past (2014), Freeheld (2015), Tallulah (2016), Close to You (2023), and The Odyssey (2026). In addition, he starred as Jodie Holmes in the video game Beyond: Two Souls (2013) and as Vanya/Viktor Hargreeves in the Netflix series The Umbrella Academy (2019–2024). He also hosted the documentary series Gaycation (2016–2017) and directed There's Something in the Water (2019). A pro-choice feminist, Page has spoken out in favor of the Me Too movement, advocated for abortion rights, called for the end of military dictatorship in Myanmar, and is a vegan. He publicly came out as a lesbian in 2014, and that same year, was included in The Advocate's annual "40 Under 40" list. In 2015, he received the Human Rights Campaign Vanguard Award. In 2020, Page came out as a trans man and took the name Elliot. In March 2021, he became the first openly transgender man to appear on the cover of Time magazine.
When your parents die, you find out who they really were. Griffon Keming’s second parents saved him from his abusive family. They taught him how to be trans, paid for his transition, and tried to love him as best they could. But Griffon’s new parents had troubles of their own – both were deeply scarred by the lives they lived before Griffon, the struggles they faced to become themselves, and the failed revolution that drove them from their homeland. When they died, they left an unfillable hole in his heart. Griffon’s best clue to his parents’ lives is in his father’s journal, written from a jail cell while he awaited execution. Stained with blood, grief, and tears, these pages struggle to contain the love story of two artists on fire. With the journal in hand, Griffon hopes to pin down his relationship to these wonderful and strange people for whom time always seemed to be running out. In Notes from a Regicide, a trans family saga set in a far-off, familiar future, Isaac Fellman goes beyond the concept of found family to examine how deeply we can be healed and hurt by those we choose to love.
