
Age: 58
male
Guy Edward Pearce (born 5 October 1967) is an Australian actor and musician. He has received various accolades, including a Primetime Emmy Award and a nomination for an Academy Award, two Golden Globe Awards, and a BAFTA Award. He started his career portraying Mike Young in the Australian television series Neighbours (1986–1989). Pearce received international attention for his breakout role in The Adventures of Priscilla, Queen of the Desert (1994). Subsequently, he starred as Ed Exley in Curtis Hanson's crime noir L.A. Confidential (1997) and a man suffering short-term memory loss in Christopher Nolan's psychological thriller Memento (2000). He also acted in The Time Machine (2002), Bedtime Stories (2008), The Road (2009), The Hurt Locker (2009), The King's Speech (2010), and Lawless (2012). He portrayed Peter Weyland in Prometheus (2012) and Alien: Covenant (2017), Aldrich Killian in the Marvel action film Iron Man 3 (2013) and William Cecil in the biopic Mary Queen of Scots (2018). In Australian cinema, Pearce has acted in The Proposition (2005), Animal Kingdom (2010), and The Rover (2014). For his performance in The Brutalist(2024), he received a nomination for the Academy Award for Best Supporting Actor. Since 2012, he has played the title role in the TV adaptations of the Jack Irish stories by Australian crime writer Peter Temple. Pearce starred in the HBO miniseries Mildred Pierce (2011) and Mare of Easttown. The former won him a Primetime Emmy Award for Outstanding Supporting Actor.

Guy Pearce

Nathan Andrews
for Nathan Andrews in Not Another Love Song Movie
Suggested by hivaerika

Gwen Jackson and Xander Thorne are both musical prodigies, but each has had very different paths to success. Xander was born into classical music royalty, while Gwen had a natural ear for music that was nurtured by a kind shop owner. After Gwen performs at his friend’s wedding, she’s mortified when she realizes Xander has no clue who she is—despite having worked together for a year at the Pops Orchestra. But she’s more furious that he arrogantly critiques her performance. When Gwen is offered the role of First Chair of the orchestra, something Xander had secretly coveted for years, their existing hostility goes up a notch. But their respect for each other's music is undeniable, and their onstage chemistry off the scale. As they begin to explore their feelings for one another, suddenly they're box office dynamite and the fragile romance that's growing between them is in danger of being crushed beneath a publicity stunt...

