Age: 46
female
Mary Rose Byrne (born 24 July 1979) is an Australian actress. She made her screen debut in the film Dallas Doll (1994), and continued to act in Australian film and television throughout the 1990s. She obtained her first leading film role in The Goddess of 1967 (2000), which brought her the Volpi Cup for Best Actress and made the transition to Hollywood in the small role of Dormé in Star Wars: Episode II – Attack of the Clones (2002), followed by larger parts in Troy (2004), 28 Weeks Later (2007), and Knowing (2009). Byrne appeared as Ellen Parsons in the legal thriller series Damages (2007–2012), which earned her two Golden Globe Awards nominations and two Primetime Emmy Award nominations. Get Him to the Greek (2010) and Bridesmaids (2011) established her as a comedic actress, in addition to the dramas and thrillers in which she continues to appear. She has since starred in a number of commercially successful comedies and dramas, including Insidious (2010) and its sequel Insidious: Chapter 2 (2013), X-Men: First Class (2011) and its sequel X-Men: Apocalypse (2016), Annie (2014), as well as Peter Rabbit (2018) and its sequel Peter Rabbit 2: The Runaway (2021). Byrne also portrayed Gloria Steinem in the miniseries Mrs. America (2020) and led the comedy series Physical (2021–2023) and Platonic (2023). Byrne has been in relationship with American actor Bobby Cannavale since 2012 and they have two sons. And she is the sister-in-law of New Zealand actress Rose McIver from her brother's marriage.
Rose Byrne
Ava Fitzgerald
for Ava Fitzgerald in Not Another Love Song Movie
Suggested by hivaerika
Gwen Jackson and Xander Thorne are both musical prodigies, but each has had very different paths to success. Xander was born into classical music royalty, while Gwen had a natural ear for music that was nurtured by a kind shop owner. After Gwen performs at his friend’s wedding, she’s mortified when she realizes Xander has no clue who she is—despite having worked together for a year at the Pops Orchestra. But she’s more furious that he arrogantly critiques her performance. When Gwen is offered the role of First Chair of the orchestra, something Xander had secretly coveted for years, their existing hostility goes up a notch. But their respect for each other's music is undeniable, and their onstage chemistry off the scale. As they begin to explore their feelings for one another, suddenly they're box office dynamite and the fragile romance that's growing between them is in danger of being crushed beneath a publicity stunt...
