Age: 66
male
Hugo Wallace Weaving AO (born 4 April 1960) is an English actor. Born in Colonial Nigeria to English parents, he has resided in Australia for the entirety of his career. He is the recipient of six Australian Academy of Cinema and Television Arts Awards (AACTA) and has also been recognised as an Honorary Officer of the Order of Australia. Weaving landed his first major role as English cricket captain Douglas Jardine on the Australian television series Bodyline (1984). Continuing to act in Australia, he rose to prominence with his appearances in the films Proof (1991) and The Adventures of Priscilla, Queen of the Desert (1994), winning his first AACTA Award for Best Actor in a Leading Role with the former. By the turn of the millennium, Weaving achieved international recognition through appearances in mainstream American productions. His most notable film roles include Agent Smith in the first three The Matrix films (1999–2003), Elrond in The Lord of the Rings (2001–2003) and The Hobbit (2012–2014) trilogies, the title character in V for Vendetta (2005), and Johann Schmidt / Red Skull in the Marvel Cinematic Universe (MCU) film Captain America: The First Avenger (2011). In addition to his live action appearances, Weaving has had several voice over roles, including in the films Babe (1995), Happy Feet (2006) and Happy Feet Two (2011), and the Transformers series as Megatron (2007–2011). He also reprised his roles of Agent Smith and Elrond in Matrix and Lord of the Rings video game adaptations.
Hugo Weaving
Friedrich Harding
for Friedrich Harding in Nosferatu [1994]
Suggested by alabasteri
![Nosferatu [1994]](https://assets.mycast.io/posters/uploads/qxokipvs4gxvftqqav4s7lg4.webp)
In this atmospheric reimagining of the vampire legend, a centuries-old creature of darkness emerges from the shadows of Eastern Europe to prey upon the living. When the mysterious Count Orlok arrives in a bustling port city, he brings with him plague, madness, and an insatiable hunger for blood. A young woman becomes the object of his obsession, while a determined professor and a skeptical ship's captain race to uncover the vampire's origins and stop his reign of terror. As the undead lord systematically decimates the city's population, the survivors must confront their deepest fears and darkest superstitions. Blending gothic horror with psychological dread, the film explores themes of seduction, mortality, and the eternal struggle between light and darkness, delivering a haunting meditation on evil incarnate.
