Age: 64
male
Zbigniew Zamachowski (Polish pronunciation: [ˈzbiɡɲɛv zamaˈxɔfskʲi]; born 17 July 1961) is a Polish actor. Zamachowski graduated from the actor's faculty of the National Film School in Łódź. He began his acting career in 1981 and in 1989 had a co-starring role in Part Ten of director Krzysztof Kieślowski's film series, Dekalog. Four years later, Kieślowski cast him as the lead character, "Karol Karol", in Three Colors: White, the second of his acclaimed Three Colors trilogy. He is a two-time winner of Polish Film Awards for his roles in Robert Gliński's film Hi, Tereska (2001) and Andrzej Jakimowski's film drama Zmróż oczy (2004). His other notable roles are featured in Kazimierz Kutz's film Colonel Kwiatkowski (1996), Jerzy Hoffman's historical film With Fire and Sword (1999) and Andrzej Wajda's biopic Walesa: Man of Hope (2013). Between 1985 and 1997, he performed at The Studio Theater, and since 1997 he has been an actor at the National Theater in Warsaw.
the heart of a crumbling Eastern European city, a gritty, underground nightclub becomes a war zone when Reyna Varga, a seasoned but emotionally scarred Interpol agent, finds her cover blown in the middle of a high-stakes arms deal. The club—a neon-drenched labyrinth of concrete, shadows, and secrets—serves as the beating heart of a global smuggling operation run by the brutal and enigmatic crime lord known only as “Vex.” With the exits locked, communications jammed, and trust in short supply, Reyna must fight her way through ruthless mercenaries, double-crossing allies, and a volatile criminal underworld that knows she’s not who she says she is. As the night spirals into chaos, Reyna races to retrieve a drive containing intel that could dismantle the entire network—or spark a global conflict if it falls into the wrong hands. But survival won't come easy. With no backup, no way out, and a past that’s come back to haunt her, Reyna must rely on her instincts, improvised weapons, and sheer will to make it through the night. This is not about escape—it’s about making them regret locking the doors.
