Age: 47
male
Luke George Evans (born 15 April 1979) is a Welsh actor. Evans began his career on the stage, performing in many of London's West End productions such as Rent, Miss Saigon, and Piaf before making his film breakthrough in the Clash of the Titans 2010 remake. Following his debut, Evans was cast in such action and thriller films as Immortals (2011), The Raven (2012), and the re-imagined The Three Musketeers (2011). In 2013, Evans starred as the main antagonist Owen Shaw in the blockbuster Fast & Furious 6, and also played Bard the Bowman in Peter Jackson's three-part adaptation of J. R. R. Tolkien's The Hobbit. Evans also portrayed the vampire Dracula in the character's film origin story, Dracula Untold. In 2017, Evans starred as Gaston in Disney's live action adaptation of Beauty and the Beast, and portrayed American psychologist William Moulton Marston, creator of fictional character Wonder Woman, in the biographical drama Professor Marston and the Wonder Women. From Wikipedia, the free encyclopedia
She arrived in the city with someone else's name and someone else's money. The body in the hotel room was the first thing that was truly hers. Set in contemporary Los Angeles, Night Carnation is a neo-noir thriller with the visual language and moral ambiguity of classic noir but resolutely contemporary psychology. Vera Cruz, 25, arrives in Los Angeles with a stolen identity, a significant amount of cash whose origins she has partially chosen not to investigate, and the specific plan of someone who has been planning for years without having finalized the destination. Within forty-eight hours of arriving, she discovers the body of a man in the hotel room adjacent to hers — a man who, it becomes clear, knew her real name, which nobody in this city is supposed to know. The film follows Vera across four days as she simultaneously investigates what happened to the dead man, manages the various forces now converging on her, falls into a complicated entanglement with Leo, a private investigator she initially tries to manipulate and who refuses to be manipulated in ways she didn't plan for, and reckons with the question that noir always finally asks: whether the crime she is running from is what she did or who she is. Shot entirely at night. Every frame is a choice. Act One — The Arrival Vera checks in. The body is discovered. The first forty-eight hours. The city and the night establish themselves as active presences. Act Two — The Investigation Vera investigating what the dead man knew while being investigated herself. Leo's shifting allegiance. Victor's first appearance. Act Three — The Name Vera's real name is spoken aloud. Everything that follows is the consequence of that moment.
