
Age: 33
female
Jessica Green, was born on February 11, 1993, in Tasmania, Australia. With her striking blue eyes and a height of 5’9" (1.75 m), she has made a significant impact in the entertainment industry. In her early career, she appeared in minor roles in films such as Peter Pan (Universal Pictures) and Aqua Marine (Fox). However, her breakthrough came in 2013 when she secured the lead role of “KIKI” in the Jonathon M. Shiff production LIGHTNING POINT (also known as Alien Surf Girls). This role required her to surf and ride horses, showcasing her versatility. Jessica continued to make her mark in the industry with film appearances. Notably, she played ‘Rebecca’ in the Australian action-thriller RED BILLABONG (Sparke Films) in 2016. Her talent and dedication also led her to a role in PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales (Disney). In 2017, Jessica portrayed Cleopatra in ROMAN EMPIRE (Netflix) and Lexx in ASH VS EVIL DEAD (Starz), further establishing her presence on the international stage. However, her most iconic role to date is that of ‘TALON’ in THE OUTPOST, a fantasy adventure series that aired on The CW Network and NBCU SYFY channels. Jessica performed her own stunts, including wire work, demonstrating her mixed martial arts, horse riding, and weapon skills.

Sarah Chen didn't prove Vera's involvement in the first client's death, but she learned something more dangerous: she learned how to read the architecture beneath Nexus. Season two tracks Sarah's slow, methodical investigation of Vera's network as a parallel narrative to Vera's increasingly baroque attempts to contain the threat Sarah represents. Sarah approaches the problem like structural engineering — identify the load-bearing elements and the system collapses. She identifies Adrian Voss as the weak point: his partnership with Vera is real enough that he would crack under genuine pressure. Maya Reeves, the club manager, becomes Sarah's informant not out of morality but out of enlightened self-interest — she realizes Vera will sacrifice her if necessary. As Sarah circles closer, Vera adapts by doubling down: she creates new leverage, new complications, draws bigger players into her orbit. A mysterious figure named Cassandra Oakes appears — a woman who seems to understand Vera's game as well as Vera does — and throws the entire balance into chaos. By season end, the question is no longer whether Sarah can prove what Vera has done, but whether Vera's own network will consume her.
