
Age: 67
male
Henry Czerny (/ˈtʃɛərni/ CHAIR-nee; born February 8, 1959) is a Canadian stage, film, and television actor. He is known for his roles in the films The Boys of St. Vincent, Clear and Present Danger, The Ice Storm, The Exorcism of Emily Rose, Fido, Remember, Ready or Not, and Scream VI, in particular for his role as Eugene Kittridge in Mission: Impossible, Mission: Impossible – Dead Reckoning Part One, and Mission: Impossible – The Final Reckoning, as well as for numerous television programs in both guest and starring roles, including a regular role as Conrad Grayson on the ABC primetime soap opera Revenge, a loose adaptation of The Count of Monte Cristo. Czerny has received the Theatre World Award and two Gemini Awards and was nominated for the Canadian Screen Award for Best Supporting Actor for his performance in The Other Half. Description above from the Wikipedia article about Henry Czerny, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Sarah Chen didn't prove Vera's involvement in the first client's death, but she learned something more dangerous: she learned how to read the architecture beneath Nexus. Season two tracks Sarah's slow, methodical investigation of Vera's network as a parallel narrative to Vera's increasingly baroque attempts to contain the threat Sarah represents. Sarah approaches the problem like structural engineering — identify the load-bearing elements and the system collapses. She identifies Adrian Voss as the weak point: his partnership with Vera is real enough that he would crack under genuine pressure. Maya Reeves, the club manager, becomes Sarah's informant not out of morality but out of enlightened self-interest — she realizes Vera will sacrifice her if necessary. As Sarah circles closer, Vera adapts by doubling down: she creates new leverage, new complications, draws bigger players into her orbit. A mysterious figure named Cassandra Oakes appears — a woman who seems to understand Vera's game as well as Vera does — and throws the entire balance into chaos. By season end, the question is no longer whether Sarah can prove what Vera has done, but whether Vera's own network will consume her.
