Age: 33
female
Jessica Green, was born on February 11, 1993, in Tasmania, Australia. With her striking blue eyes and a height of 5’9" (1.75 m), she has made a significant impact in the entertainment industry. In her early career, she appeared in minor roles in films such as Peter Pan (Universal Pictures) and Aqua Marine (Fox). However, her breakthrough came in 2013 when she secured the lead role of “KIKI” in the Jonathon M. Shiff production LIGHTNING POINT (also known as Alien Surf Girls). This role required her to surf and ride horses, showcasing her versatility. Jessica continued to make her mark in the industry with film appearances. Notably, she played ‘Rebecca’ in the Australian action-thriller RED BILLABONG (Sparke Films) in 2016. Her talent and dedication also led her to a role in PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales (Disney). In 2017, Jessica portrayed Cleopatra in ROMAN EMPIRE (Netflix) and Lexx in ASH VS EVIL DEAD (Starz), further establishing her presence on the international stage. However, her most iconic role to date is that of ‘TALON’ in THE OUTPOST, a fantasy adventure series that aired on The CW Network and NBCU SYFY channels. Jessica performed her own stunts, including wire work, demonstrating her mixed martial arts, horse riding, and weapon skills.
Jessica Green
Vera Mitchell / Claire Hastings
for Vera Mitchell / Claire Hastings in Nexus — The Archive
Suggested by mr95
Vera enters witness protection under a new identity — Claire Hastings, a mediocre administrative assistant in a non-descript office in Midtown. Sarah, officially reassigned from the case, secretly maintains contact, driven by the need to understand who Cassandra really is and what she plans to do with the client list. Cassandra has disappeared into the city's infrastructure, using the leverage data to systematically acquire power across multiple industries: banking, politics, real estate, media. She is not using the leverage for blackmail — she is using it for something far more sophisticated: she is mapping human weakness as a technology. Every compromised judge, every embezzling executive, every sexual secret becomes a data point in a system that predicts behavior, manipulates decision-making, and exerts control at a scale that makes Vera's boutique leverage operation look like a child's game. Vera, now powerless, begins to understand what she built: not a system of control, but an archive of humanity's worst impulses — and it was always vulnerable to someone with fewer scruples and better infrastructure. The final episodes track Vera and Sarah's impossible hunt for Cassandra, leading to a confrontation that doesn't end in victory or defeat, but in a kind of exhausted ceasefire. Vera walks away from the city entirely. Sarah remains, changed fundamentally by what she has learned about how power actually works.
