Age: 75
male
Edward Allen Harris (born November 28, 1950) is an American actor and filmmaker. His performances in Apollo 13 (1995), The Truman Show (1998), Pollock (2000), and The Hours (2002) earned him critical acclaim and Academy Award nominations. Harris has appeared in numerous leading and supporting roles, including in Creepshow (1982), The Right Stuff (1983), Under Fire (1983), Places in the Heart (1984), The Abyss (1989), Glengarry Glen Ross (1992), The Firm (1993), Nixon (1995), The Rock (1996), Stepmom (1998), A Beautiful Mind (2001), Enemy at the Gates (2001), Radio (2003), A History of Violence (2005), Gone Baby Gone (2007), National Treasure: Book of Secrets (2007), Snowpiercer (2013), Mother! (2017), The Lost Daughter (2021), and Top Gun: Maverick (2022). In addition to directing Pollock, Harris directed the Western film Appaloosa (2008). In television, Harris is notable for his roles as Miles Roby in the miniseries Empire Falls (2005) and as United States Senator John McCain in the television movie Game Change (2012); the latter earned him the Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film. He starred as the Man in Black in the HBO science fiction-Western series Westworld (2016–2022), for which he earned a nomination for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series.
Ed Harris
Director Malcolm Rourke
for Director Malcolm Rourke in Nexus's The Parallax Act Season 1 [2027]
Suggested by DarkNexus
![Nexus's The Parallax Act Season 1 [2027]](https://assets.mycast.io/posters/uploads/y815i98wgjgl9lwnh0jwwbpi.webp)
In 2027, a disgraced federal investigator and a defense attorney are forced into an uneasy partnership after a bizarre murder case reveals that the victim legally died thirteen years before he was born. Their investigation uncovers The Parallax Act, a classified government program capable of manipulating small sections of history. Every episode follows a different case, suspect, location, or point in time—sometimes jumping decades backward or forward—while gradually revealing that the seemingly unrelated stories are pieces of the same conspiracy. The investigators encounter time-displaced criminals, corrupt judges, martial-arts assassins, future witnesses, impossible evidence, and people who remember completely different versions of the same event. The deeper they investigate, the stranger the central question becomes: If the law is written for one timeline, can anyone actually be guilty in another?
