Age: 69
female
Frances Louise McDormand (born Cynthia Ann Smith; June 23, 1957) is an American film, stage and television actress. McDormand began her career on stage and made her screen debut in the 1984 film Blood Simple, having since appeared in several theatrical and television roles. McDormand has been recognized for her performances in 'Mississippi Burning' (1988), 'Short Cuts' (1993), 'Fargo' (1996), 'Wonder Boys' (2000), 'Almost Famous' (2000), 'North Country' (2005), 'Moonrise Kingdom' (2012), 'Hail, Caesar!' (2016), 'Three Billboards Outside Ebbing, Missouri' (2017), 'Nomadland' (2020) and 'The Tragedy of Macbeth' (2021). Throughout her career, she has been nominated for eight Golden Globes, five Academy Awards, four BAFTA Awards, and three Emmy Awards. She is one of the few performers to achieve the "Triple Crown of Acting", winning an Academy Award, a Primetime Emmy Award, and a Tony Award. She won her first Academy Award for Best Actress in 1997 for her role as Marge Gunderson in 'Fargo'. She also won Best Supporting Actress from the Broadcast Film Critics Association, the Florida Film Critics Circle, and the Los Angeles Film Critics Association for her performance in 'Wonder Boys' (2000). McDormand returned to the stage in the David Lindsay-Abaire play Good People on Broadway from February 8, 2011 to April 24, 2011. In 2017, McDormand starred in 'Three Billboards Outside Ebbing, Missouri' which earned her a second Academy Award for Best Actress. McDormand has been married to filmmaker Joel Coen since 1984, they reside in New York City along with their adopted son Pedro.
When people-pleasing Chloe learns that her birth mother has unexpectedly had another baby, she doesn’t hesitate to become a next-of-kin guardian. But when she fails to pass Child Protective Services’ financial evaluation, she is faced with a choice: see her baby sister placed in foster care or participate in CPS’ new initiative, TeamUp. Enter Warren, a surly mechanic’s apprentice attempting to get custody of his deaf fifteen-year-old brother after failing CPS’ housing evaluation. The two strangers immediately clash but agree to live together until Warren can find housing elsewhere and Chloe can further grow her freelance career. As their lives intertwine, Chloe and Warren both realise that they’re far more similar than they could have imagined. What started as forced begins to feel natural—and far less lonely. Chemistry soon intensifies beyond what either of them can stand, but they must each decide if what burns between them is worth risking their arrangement.
