Age: 64
female
Janet McTeer OBE (born 5 August 1961) is an English actress. She began her career training at the Royal Academy of Dramatic Art before earning acclaim for playing diverse roles on stage and screen in both period pieces and modern dramas. She has received numerous accolades, including a Tony Award, an Olivier Award, a Golden Globe Award and nominations for two Academy Awards and a Primetime Emmy Award. In 2008, she was appointed as an officer of the Order of the British Empire (OBE) for her services in drama. McTeer made her professional stage debut in 1984 and was nominated for the 1986 Olivier Award for Best Newcomer for The Grace of Mary Traverse. She received the Laurence Olivier Award for Best Actress and the Tony Award for Best Actress in a Play for her A Doll's House performance in 1997. For her roles on Broadway, she received two other nominations for Mary Stuart in 2009 and Bernhardt/Hamlet in 2019. McTeer has also gained acclaim for her film roles, having received two Academy Award nominations, one for Best Actress in Tumbleweeds in 1999 and the other for Best Supporting Actress in Albert Nobbs in 2011. Other roles include Wuthering Heights (1992), Carrington (1995), Velvet Goldmine (1998), Songcatcher (2000), As You Like It (2006), The Divergent Series (2015–2016), and The Menu (2022). On television, she starred in the title role of Lynda La Plante's The Governor (1995–1996). She received a Primetime Emmy Award nomination for portraying Clementine Churchill in the HBO film Into the Storm (2009). She is also known for her roles in Damages (2012), The White Queen (2013), The Honourable Woman (2014), Jessica Jones (2018), Sorry for Your Loss (2018–2019), and Ozark (2018–2020). Description above from the Wikipedia article Janet McTeer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
On a bright spring afternoon in Dublin, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes from the washing line, Ciara straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe. This was meant to be an escape. But with dwindling savings, no job, and her family across the sea, Ciara finds herself adrift, facing a broken housing system and the voice of her own demons. As summer passes and winter closes in, she must navigate raising her children in a hotel room, searching for a new home and dealing with her husband Ryan’s relentless campaign to get her to come back. Because leaving is one thing, but staying away is another. What will it take for Ciara to rebuild her life? Can she ever truly break away from Ryan’s control – and what will be the cost?
