Age: 31
female
Taissa Farmiga (born August 17, 1994) is an American actress. Born in Whitehouse Station, New Jersey, she is the younger sister of actress Vera Farmiga. Her numerous appearances in horror films have established her as a scream queen. Farmiga was encouraged to begin acting by her sister, and subsequently made her debut in her sister's film Higher Ground (2011). Thereafter, she rose to prominence for her work on the anthology series American Horror Story, starring in the seasons Murder House (2011), Coven (2013–2014), Roanoke (2016) and Apocalypse (2018). Her early film roles include the romantic comedy At Middleton (2013), the crime drama The Bling Ring (2013) and the psychological thriller Mindscape (2013), the latter of which was her first starring film role. Farmiga was lauded for her performances in the comedy slasher film The Final Girls (2015), and the drama films 6 Years (2015) and Share (2015), all of which premiered at South by Southwest, which led her to be named one of the breakout stars of the festival. She has also provided the voice of Raven in the DC Animated Movie Universe (2016–2020), starred in the comedy films Rules Don't Apply (2016) and The Long Dumb Road (2018), the drama films In a Valley of Violence (2016) and What They Had (2018) and the supernatural thriller film The Nun (2018). Farmiga headlined the procedural drama series Wicked City (2015), and made her stage debut in the off-Broadway revival of the drama play Buried Child (2016).
Our narrator should be happy, shouldn’t she? She’s young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.
