Age: 55
male
Jonathan Daniel Hamm (born March 10, 1971) is an American actor. He is best known for his role as Don Draper in the period drama series Mad Men (2007–2015), for which he won numerous accolades, including a Primetime Emmy Award and two Golden Globe Awards. Hamm also acted in lead roles in the films Stolen (2010), Million Dollar Arm (2014), Keeping Up with the Joneses (2016), Beirut (2018), and Confess, Fletch (2022), as well as his supporting roles in The Town (2010), Sucker Punch (2011), Bridesmaids (2011), Baby Driver (2017), Tag (2018), Bad Times at the El Royale (2018), The Report (2019), Richard Jewell (2019), No Sudden Move (2021), and Top Gun: Maverick (2022). He also provided voice acting roles in the animated films Shrek Forever After (2010), Minions (2015), and Transformers One (2024). He has appeared in the Sky Arts series A Young Doctor's Notebook, the Channel 4 dystopian anthology series Black Mirror, the Amazon Prime fantasy series Good Omens, the FX superhero series Legion (2018), and the FX crime anthology series Fargo. He was Emmy-nominated for his roles in 30 Rock, Unbreakable Kimmy Schmidt, and The Morning Show. He has also acted in Parks and Recreation and Curb Your Enthusiasm. Description above from the Wikipedia article Jon Hamm, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Our narrator should be happy, shouldn’t she? She’s young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.
