Age: 47
female
Natasha Bianca Lyonne Braunstein (/liˈoʊn/lee-OHN; born April 4, 1979) is an American actress, writer, director, and producer. Lyonne started her career as a teen actress before expanding her career, taking on mature roles in film and television. She is known for her distinctive raspy voice and "tough" persona, and the accolades she has received include nominations for five Primetime Emmy Awards and two Golden Globe Awards. She was named one of the 100 most influential people in the world by Time Magazine in 2023. Lyonne started her career as a child actress, making her first uncredited appearance in Heartburn (1986), recurring in Pee-wee's Playhouse (1986), and supporting in Dennis the Menace (1993). She transitioned to taking on teen roles in several independent films such as Everyone Says I Love You (1996), Slums of Beverly Hills (1998), But I'm a Cheerleader (1999), and Party Monster (2003) as well as in broad comedic films such as American Pie (1999), American Pie 2 (2001), Scary Movie 2 (2001), and American Reunion (2012). She found a career resurgence and Emmy Award nominations for her performances as Nicky Nichols on the Netflix comedy-drama series Orange Is the New Black (2013–2019), a software engineer stuck in a time loop in the Netflix's comedy-drama series Russian Doll (2019–2022), and a woman who can tell when people are lying in the Peacock crime comedy series Poker Face (2023–present), the former of which she also served as a co-creator, writer, director, and executive producer of the series. She also starred in the Netflix drama film His Three Daughters (2024). Description above from the Wikipedia article Natasha Lyonne, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Natasha Lyonne
Dr. Tuttle
for Dr. Tuttle in My Year of Rest and Relaxation
Suggested by rubyluna
Our narrator should be happy, shouldn’t she? She’s young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.
