Age: 52
male
Yorgos Lanthimos (Greek: Γιώργος Λάνθιμος, born 23 September 1973) is a Greek filmmaker. He has received multiple accolades, including a BAFTA Award and a Golden Lion, as well as nominations for five Academy Awards and a Golden Globe Award. Lanthimos started his career in experimental theatre before making his directorial film debut with the sex comedy My Best Friend (2001). He rose to prominence by directing the psychological drama film Dogtooth (2009), which won the Un Certain Regard prize at the Cannes Film Festival and was nominated for the Academy Award for Best Foreign Language Film. Lanthimos transitioned to making English-language films with the black comedy The Lobster (2015), which earned him an Academy Award nomination for Best Original Screenplay, and the psychological thriller The Killing of a Sacred Deer (2017). He collaborated with actress Emma Stone in the period black comedies The Favourite (2018) and Poor Things (2023) and the anthology film Kinds of Kindness (2024). He received nominations for the Academy Award for Best Director and Best Picture for The Favourite and Poor Things, in addition to winning the Golden Lion for the latter. Description above from the Wikipedia article Yorgos Lanthimos, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Yorgos Lanthimos
Director
for Director in My Year of Rest and Relaxation
Suggested by rubyluna
Our narrator should be happy, shouldn’t she? She’s young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.
