Age: 40
female
Dianna Elise Agron (born April 30, 1986) is an American actress and singer. After primarily dancing and starring in small musical theater productions in her youth, Agron made her screen debut in 2006, and in 2007, she played recurring character Debbie Marshall on Heroes and had her first leading role. In 2009, she took the notable role of the antagonistic but sympathetic head cheerleader Quinn Fabray on the Fox musical comedy-drama series Glee. For her role in the series, she won a SAG Award and, as part of the cast, was nominated for the Brit Award for Best International Breakthrough Act, among other accolades. After Glee proved to be a breakthrough success, Agron began working more in film, first starring in the popular young adult adaptation I Am Number Four (2011) as Sarah Hart before taking on films aimed at more diverse audiences, including the 2013 mob-comedy The Family and 2015's Bare. She has also directed several short films and music videos and, in 2017, began performing as a singer at the Café Carlyle in New York City, while continuing to star in films including Novitiate and Hollow in the Land in 2017, Shiva Baby in 2020, and As They Made Us in 2022. She directed part of the 2019 anthology feature film Berlin, I Love You, as well as acting in it. As a singer, Agron is noted for her husky lyric contralto voice.
Exploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher, a brilliant, all-consuming read that marks the explosive debut of an extraordinary new writer. 2000. Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed? Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield.
