
Age: 55
male
Josh Lucas (born June 20, 1971) is an American actor. He has starred alongside Jon Voight in Jerry Bruckheimer's Glory Road (2006), Kurt Russell and Richard Dreyfuss in Wolfgang Petersen's Poseidon (2006), Morgan Freeman and Robert Redford in Lasse Hallström's An Unfinished Life (2005), Jamie Bell in David Gordon Green's Undertow (2004), which was also produced by Terrence Malick. Other credits include Ford v Ferrari (2019), The Lincoln Lawyer (2011), Hulk (2003), A Beautiful Mind (2001), Wonderland (2003), The Deep End (2001), American Psycho (2000), Session 9 (2001), and You Can Count on Me (2000). Lucas' theater credits include the recent off-Broadway run of "Spalding Gray: Stories Left to Tell"; Tennessee Williams' "The Glass Menagerie," which appeared on Broadway in 2005; Terrence McNally's "Corpus Christi" at the Manhattan Theater Club; Christopher Shinn's "What Didn't Happen"; and "The Picture of Dorian Gray." Lucas recently completed his second collaboration with documentary filmmaker Ken Burns on "The War" (2007). Lucas' other documentary work includes the upcoming Operation Homecoming: Writing the Wartime Experience (2007), Trumbo (2007), and Resolved (2007). Lucas recently completed his first venture into production with Stolen Lives (2009), in which he plays the single father of a mentally challenged boy. This film is the first project to be produced through Lucas' production company, Two Bridges.

Exploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher, a brilliant, all-consuming read that marks the explosive debut of an extraordinary new writer. 2000. Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed? Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield.






