
Age: 24
female
Jenna Marie Ortega (born September 27, 2002) is an American actress. She began her career as a child and received recognition for her role as a younger version of Jane in The CW comedy-drama series Jane the Virgin (2014–2019). She then won an Imagen Award for her leading role as Harley Diaz in the Disney Channel series Stuck in the Middle (2016–2018). She played Ellie Alves in the thriller series You (2019) and starred in the family film Yes Day (2021), both for Netflix. In the drama film The Fallout, Ortega received praise for her performance as a traumatised high school student (2021). She gained wide recognition for portraying Wednesday Addams in the Netflix horror-comedy series Wednesday (2022–present), for which she received nominations at the Golden Globe, Primetime Emmy, and Screen Actors Guild Awards. She also starred in the slasher films Scream (2022), X (2022), Scream VI (2023), and the fantasy film Beetlejuice Beetlejuice (2024). Media publications have dubbed Ortega "Gen Z's scream queen." She was featured on The Hollywood Reporter's Power 100 list in 2023 and Forbes's 30 Under 30 list in 2024. Ortega has also been noted for her fashion and for supporting various charitable causes. Description above from the Wikipedia article Jenna Ortega, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Jenna Ortega

Piper Popper
for Piper Popper in Mr. Budsters
Suggested by alexanderarmstrong
Source: https://www.imdb.com/name/nm4911194/?ref_=ext_shr

Welcome to the vibrant, pastel-colored wonderland of The Neighborhood of Smiles, where beloved children's television icon Mr. Budsters (Bob Odenkirk) teaches kids all about arts, crafts, and unconditional obedience. But behind the cheerful cardigan and the permanent, wide-eyed smile lies a snapping, sociopathic mind. When a routine studio visit by network executives and local parents pushes Mr. Budsters over the edge, the arts-and-crafts segment quickly transforms into an R-rated, blood-soaked abattoir using giant safety scissors, gardening shears, and oversized foam props. The real horror? The studio audience of children doesn't run. To them, the graphic dismemberment is just part of the show. Delivering eerie, deadpan nursery rhymes and cheerfully handing over tools of destruction, the kids treat the carnage like finger paint. As Mr. Budsters and his mini-army take their twisted public-access rampage out into the suburbs to "clean up" the adult population, nobody is safe. NO HUMANS. ONLY ROT.