Age: 50
male
Ross McCall (b. 13 January 1976, Port Glasgow, Scotland) is a Scottish actor notable for his role as Cpl. Joseph Liebgott in the 2001 HBO miniseries Band of Brothers. His first notable screen role was at the age of 13 when he appeared as Freddie Mercury in the 1989 promotional video for the Queen song "The Miracle", the role for which he was picked out of a large number of applicants. In 1993, McCall was featured in BBC children's TV series The Return of the Borrowers. In 2005 Ross co-starred in the independent drama film Green Street. He played Kenny Battaglia in the television series, Crash, on the Starz network. He reprised his role as Dave in the 2009 straight-to-video sequel Green Street 2: Stand Your Ground. In 2008, he co-starred in an After Dark Horrorfest film, Autopsy. McCall was raised Roman Catholic. He was engaged to actress Jennifer Love Hewitt, with whom he Guest starred in an episode of Ghost Whisperer. On 5 January 2009, People Magazine reported that Hewitt called off their engagement in late 2008. He is a supporter of Celtic F.C., and trained at Redroofs Theatre School in Maidenhead. On 23 February 2010, he appeared as a guest star on White Collar on the episode "Bottlenecked". Ross was portrayed as Matthew Keller. He reprised the role in episode 14 of White Collar season 2. On 6 March 2010, in an interview with The Mail on Sunday, Sheridan Smith revealed that she and McCall had begun dating after a 10 year friendship. On 1 June 2010, he appeared as a guest star on Luther. He starts production on the feature film 'The Guest Room', shooting at the Sunset Gower studios in LA in July 2010. Description above from the Wikipedia article Ross McCall, licensed under CC-BY-SA, full list of contributors on Wikipedia
Welcome to the vibrant, pastel-colored wonderland of The Neighborhood of Smiles, where beloved children's television icon Mr. Budsters (Bob Odenkirk) teaches kids all about arts, crafts, and unconditional obedience. But behind the cheerful cardigan and the permanent, wide-eyed smile lies a snapping, sociopathic mind. When a routine studio visit by network executives and local parents pushes Mr. Budsters over the edge, the arts-and-crafts segment quickly transforms into an R-rated, blood-soaked abattoir using giant safety scissors, gardening shears, and oversized foam props. The real horror? The studio audience of children doesn't run. To them, the graphic dismemberment is just part of the show. Delivering eerie, deadpan nursery rhymes and cheerfully handing over tools of destruction, the kids treat the carnage like finger paint. As Mr. Budsters and his mini-army take their twisted public-access rampage out into the suburbs to "clean up" the adult population, nobody is safe. NO HUMANS. ONLY ROT.
