
Age: 58
male
Isaac Liev Schreiber (/ˈliːɛv ˈʃraɪbər/ LEE-ev SHRY-bər; born October 4, 1967) is an American actor. He has received numerous accolades, including a Tony Award and nominations for nine Primetime Emmy Awards and five Golden Globe Awards. Schreiber's early film roles include Mixed Nuts (1994), Party Girl (1995), The Daytrippers (1996), and Big Night (1996). He appeared in the first three Scream horror films (1996–2000), Ransom (1996), The Hurricane (1999), Hamlet (2000), Kate & Leopold (2001), The Manchurian Candidate (2004), The Painted Veil (2006), X-Men Origins: Wolverine (2009), Pawn Sacrifice (2014), and Spotlight (2015). He acted in the Wes Anderson films Isle of Dogs (2018), The French Dispatch (2021), and Asteroid City (2023). He made his directorial film debut with Everything Is Illuminated (2005). He made his Broadway debut in In the Summer House (1992). He earned the Tony Award for Best Featured Actor in a Play for playing Richard Roma in the David Mamet play Glengarry Glen Ross (2005). He was Tony-nominated for his roles in the Eric Bogosian play Talk Radio (2007), the Arthur Miller revival A View from the Bridge (2010) and the John Patrick Shanley revival Doubt (2024). He also acted in Les Liaisons Dangereuses (2016). For his television roles, he most notably portrayed the titular character in the Showtime drama series Ray Donovan (2013–2020). He reprised the role in the television film Ray Donovan: The Movie (2022). The role has earned him nominations for three Primetime Emmy Awards and four Golden Globe Awards. He also portrayed Orson Welles in the HBO film RKO 281 (1999) and Otto Frank in the Nat Geo miniseries A Small Light (2023). Description above from the Wikipedia article Liev Schreiber, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little, much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple's inviolable sanctuary?




