Age: 43
male
Uwais Qorny, better known as Iko Uwais (born on February 12, 1983, in Jakarta) is an Indonesian actor, stuntman, fight choreographer, and martial artist. He is widely recognized for his roles in action films such as Merantau (2009), The Raid (2011), and The Raid 2 (2014). Since the age of 10, Iko has been practicing pencak silat, a traditional Indonesian martial art, under the guidance of his grandfather, H. Achmad Bunawar, who was a silat master and founder of a silat school. In 2005, Iko won the national championship in the Silat Demonstration category. Iko's international career flourished with his role in Star Wars: The Force Awakens (2015) as Razoo Qin-Fee. He also starred in other Hollywood films such as Mile 22 (2018) and Stuber (2019). In 2019, Iko portrayed Kai Jin in the Netflix series Wu Assassins and reprised the role in its sequel film Fistful of Vengeance (2022). In his personal life, Iko married singer Audy Item on June 25, 2012. The couple has been blessed with two daughters, Atreya Syahla Putri Uwais and Aneska Layla Putri Uwais. Recently, Iko made headlines after a Japanese fan, Norihiro Matsuo, became emotional upon meeting him, highlighting Iko's global popularity. With his dedication and talent, Iko Uwais continues to make significant contributions to the action film industry, both in Indonesia and internationally.
After centuries of war, the fabric of the realms begins to unravel. The Elder Gods, desperate to restore balance, awaken Blaze, an elemental being of unimaginable power, as the ultimate judgment. A mysterious Pyramid of Argus rises from the sands of Edenia—a beacon signaling the final battle. Raiden, weakened by repeated failures, sends out one final call to the surviving defenders of Earthrealm. But as warriors from every realm converge—Outworld, Edenia, Netherrealm, and more—a deadly truth is revealed: the last fighter standing atop the pyramid will absorb Blaze’s godlike power and determine the fate of existence. Alliances crumble. Betrayals ignite. Legends fall. The final tournament isn't just for survival—it's for the right to shape reality itself.
