
Age: 30
female
Anya-Josephine Marie Taylor-Joy (/ˈænjə/; born 16 April 1996) is an American actress and voice actress. Born in Miami and raised in Buenos Aires and London, she left school at 16 to pursue an acting career. After several minor television roles, her breakthrough came with a leading role in the horror film The Witch (2015). Her career progressed with roles in the horror film Split (2016) and its sequel Glass (2019), the black comedy film Thoroughbreds (2017), and playing Emma Woodhouse in the period drama Emma (2020). Taylor-Joy featured in the television crime drama series Peaky Blinders (2019–2022) and earned international recognition for playing Beth Harmon in the period drama miniseries The Queen's Gambit (2020), winning a Golden Globe Award and a SAG Award, in addition to a nomination for a Primetime Emmy Award. She then starred in the horror film Last Night in Soho (2021), the action films The Northman (2022) and The Gorge (2025), and the black comedy The Menu (2022). She also voiced Princess Peach in the animated film The Super Mario Bros. Movie (2023). She starred as Imperator Furiosa in the apocalyptic film Furiosa: A Mad Max Saga (2024). Description above from the Wikipedia article Anya Taylor-Joy, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Anya Taylor-Joy

Frost
for Frost in Mortal Kombat: Armageddon Live-Action
Suggested by johnnywalker

The realms are collapsing. Ancient prophecies converge as the Elder Gods' final judgment descends upon a fractured multiverse. Warriors from every corner of existence—sorcerers, assassins, monks, and gods themselves—are drawn to a single catastrophic tournament where only victory ensures survival. Raiden stands at the precipice of godhood, torn between protecting Earthrealm and accepting his role in the apocalypse. Old alliances shatter. Former enemies become unlikely partners. Every fighter carries the weight of their realm's extinction. In this ultimate crucible, personal vendettas ignite against the backdrop of universal annihilation. Betrayals run deep. Sacrifices demand everything. The line between savior and destroyer blurs as warriors discover that stopping Armageddon might require destroying everything they've fought to protect. This is not a tournament. This is reckoning.
