
Age: 55
male
Ethan Green Hawke (born November 6, 1970) is an American actor, writer and director. He made his feature film debut in 1985 with the science fiction movie Explorers, before making a supporting appearance in the 1989 drama Dead Poets Society which is considered his breakthrough role. He then appeared in such films as White Fang (1991), A Midnight Clear (1992), and Alive (1993) before taking a role in the 1994 Generation X drama Reality Bites, for which he gained critical acclaim. In 1995, he starred in the romantic drama Before Sunrise, and later in its sequel Before Sunset (2004). In 2001, Hawke was cast as a rookie police officer in Training Day, for which he received a Screen Actors Guild and Academy Award nomination in the Best Supporting Actor category. Other films have included the science fiction feature Gattaca (1997), the title role in Michael Almereyda's Hamlet (2000), the action thriller Assault on Precinct 13 (2005), and the crime drama Before the Devil Knows You're Dead (2007). Hawke has appeared in many theater productions including The Seagull, Henry IV, Hurlyburly, The Cherry Orchard, The Winter's Tale and The Coast of Utopia, for which he earned a Tony Award nomination. He made his directorial debut with the 2002 independent feature Chelsea Walls. In November 2007 Hawke directed his first play, Jonathan Marc Sherman's Things We Want. Aside from acting, he has written two novels, The Hottest State (1996) and Ash Wednesday (2002). Between 1998 and 2004, Hawke was married to actress Uma Thurman.

Marc Spector is a highly trained mercenary haunted by the violent ghosts of his past. After a near-fatal mission leaves him broken, he experiences a spiritual awakening—or a complete psychological fracture—that transforms him into Moon Knight, a brutal vigilante operating under the guidance of an ancient moon god. Torn between his fractured identities and uncertain whether his divine purpose is real or imagined, Marc wages a relentless war against those who prey on night travelers. As he navigates the blurred line between vengeance and madness, Moon Knight must confront both external enemies and the warring voices within his own mind. His quest for redemption becomes a descent into darkness, where every mission raises the question: is he saving the innocent, or simply feeding his own demons?
