Age: 67
male
Timothy Walter Burton (born August 25, 1958) is an American filmmaker and animator. He is known for his gothic fantasy and horror films such as Beetlejuice (1988), Edward Scissorhands (1990), The Nightmare Before Christmas (1993), Ed Wood (1994), Sleepy Hollow (1999), Corpse Bride (2005), Sweeney Todd: The Demon Barber of Fleet Street (2007) and Dark Shadows (2012), as well as the television series Wednesday (2022). Burton also directed the superhero films Batman (1989) and Batman Returns (1992), the sci-fi film Planet of the Apes (2001), the fantasy-drama Big Fish (2003), the musical adventure film Charlie and the Chocolate Factory (2005), and the fantasy films Alice in Wonderland (2010) and Miss Peregrine's Home for Peculiar Children (2016). Burton has often worked with actors Winona Ryder, Johnny Depp, Lisa Marie (former girlfriend), Helena Bonham Carter (his former domestic partner) and composer Danny Elfman, who scored all but three of Burton's films. Burton also wrote and illustrated the poetry book The Melancholy Death of Oyster Boy & Other Stories, published in 1997 by British publishing house Faber and Faber, and a compilation of his drawings, sketches, and other artwork, entitled The Art of Tim Burton, was released in 2009. A follow-up to that book, entitled The Napkin Art of Tim Burton: Things You Think About in a Bar, containing sketches made by Burton on napkins at bars and restaurants he visited, was released in 2015. His accolades include nominations for two Academy Awards and three BAFTA Awards, and wins for an Emmy Award and a Golden Globe Award.
In a world behind our closet doors, monsters reign supreme. The utility company Monsters Inc. specializes in fueling their world with the screams of human children. A team of monster scarers led by lovable Sulley and his wisecracking best friend Mike work hard and long hours to ensure the fuel of the screams. But things go crazy when Sulley discovers a mysterious door and a runaway little girl running amok. However, both Sulley and Mike discover that the little girl (whom Sulley names Boo) is not actually dangerous, so they must bring her home to the human world. But what the duo doesn't know is that Boo is actually the key to a sinister conspiracy to saving the monster world from a rising crisis.
