Age: 43
male
Charlie Thomas Cox (born 15 December 1982) is an English actor. He is known for portraying Matt Murdock / Daredevil in seven projects of the Marvel Cinematic Universe, leading the television series Daredevil (2015–2018) and Daredevil: Born Again (2025–present). Cox portrayed Owen Sleater in the second and third seasons of HBO's Boardwalk Empire (2011–2012) and Jonathan Hellyer Jones in the 2014 film The Theory of Everything. He starred in the RTÉ drama series Kin (2021–2023) and the Netflix spy miniseries Treason (2022). Cox's breakout role was as Tristan Thorn in the 2007 fantasy film Stardust, one of several roles he had in predominantly British productions during the first decade of his career. He made his West End debut the following year in a revival of the Harold Pinter plays The Lover and The Collection. Following his successes on-screen in the 2010s, he acted in a 2019 stage production of Harold Pinter's Betrayal, first in the West End and then on Broadway. He would later make his video game debut in 2025 as Gustave in Clair Obscur: Expedition 33. Description above from the Wikipedia article Charlie Cox, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Miracle on 34th Street is a 1947 American Christmas comedy-drama film released by 20th Century Fox, written and directed by George Seaton and based on a story by Valentine Davies. It stars Maureen O'Hara, John Payne, Natalie Wood, and Edmund Gwenn. The story takes place between Thanksgiving Day and Christmas Day in New York City, and focuses on the effect of a department store Santa Claus who claims to be the real Santa. The film has become a perennial Christmas favorite. Miracle on 34th Street won three Academy Awards. An old man with a long white beard walks down a New York street. In the interpretation, the arranger draws attention to the wrong order of the reindeer in the Christmas sleigh. He meets a drunken Santa Claus in the parade and, concerned about his condition, takes his place with great success. So Kriss Kringle from a nursing home becomes an advertising attraction for a toy store. His success lies in the fact that he is a real Santa, as he tells everyone without hesitation. Some like to believe him, some don't. A neurotic psychologist wants to have him locked up in an institution, so the court will begin to deal with whether he really is Santa with all seriousness and with great publicity. However, Krissi Kringle is mainly interested in getting little Susan and her rational mother to believe him, who, disappointed with life, has given up fantasy and belief in the possibility of making wishes come true.
