Age: 73
male
Daniel Robert Elfman (born May 29, 1953) is an American film composer, singer, songwriter, and musician. He came to prominence as the lead vocalist and primary songwriter for the new wave band Oingo Boingo in the early 1980s. Since scoring his first studio film in 1985, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall. Elfman has frequently worked with directors Tim Burton, Sam Raimi, and Gus Van Sant, contributing music to nearly 20 Burton projects, including Pee-Wee's Big Adventure, Beetlejuice, Batman, Edward Scissorhands, Batman Returns, Mars Attacks!, Sleepy Hollow, Big Fish, and Alice in Wonderland, as well as scoring Raimi's Darkman, A Simple Plan, Spider-Man, Spider-Man 2, Oz the Great and Powerful, and Doctor Strange in the Multiverse of Madness, and Van Sant's Academy Award-winning films Good Will Hunting and Milk. He wrote music for all of the Men in Black and Fifty Shades of Grey franchise films, the songs and score for Henry Selick's animated musical The Nightmare Before Christmas, and the themes for the popular television series Desperate Housewives and The Simpsons. Among his honours are four Oscar nominations, three Emmy Awards, a Grammy, seven Saturn Awards for Best Music, the 2002 Richard Kirk Award, the 2015 Disney Legend Award, the Max Steiner Film Music Achievement Award in 2017, and the Society of Composers & Lyricists Lifetime Achievement Award in 2022. Description above from the Wikipedia article Danny Elfman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In this terrifying adaptation, Miitopia bleeds into the real world, transforming the quirky Nintendo game into a grotesque and horrifying experience. Set in modern-day Denver, Colorado, a group of friends discovers that their beloved game has somehow become intertwined with a malevolent force that manipulates their identities—and their very faces. They’ve customized their Mii avatars to resemble themselves, but with exaggerated features for fun. However, bizarre things begin happening after a mysterious update is downloaded into their game. The Miis they created—once cartoonish and harmless—begin to change in unnerving ways. Their faces twist into deformed, grotesque versions, and their eyes seem too real, too aware. As their in-game avatars become more disturbing, strange occurrences begin to plague the friends in real life.
