Age: 40
female
Amanda Michelle Seyfried (/ˈsaɪfrɛd/ SY-fred; born December 3, 1985) is an American actress. She began acting at 15, with recurring roles as Lucy Montgomery in the CBS soap opera As the World Turns (1999–2001) and Joni Stafford in the ABC soap opera All My Children (2003). She came to prominence for her feature film debut in the teen comedy Mean Girls (2004) and her roles as Lilly Kane in the UPN mystery drama series Veronica Mars (2004–2006) and Sarah Henrickson in the HBO drama series Big Love (2006–2011). Seyfried has starred in many films, including Mamma Mia! (2008) and its sequel Mamma Mia! Here We Go Again (2018), Jennifer's Body (2009), Dear John (2010), Letters to Juliet (2010), Red Riding Hood (2011), In Time (2011), Les Misérables (2012), A Million Ways to Die in the West (2014), Ted 2 (2015), and First Reformed (2017). Seyfried received critical acclaim and nominations for the Academy Award and Golden Globe Award for Best Supporting Actress for portraying Marion Davies in David Fincher's biopic Mank (2020). For her starring role as Elizabeth Holmes in the Hulu miniseries The Dropout (2022), she won the Golden Globe Award and Primetime Emmy Award for Outstanding Lead Actress. In 2022, Time named her one of the 100 most influential people in the world. Description above from the Wikipedia Amanda Seyfried, article licensed under CC-BY-SA, full list of contributors on Wikipedia.
Amanda Seyfried
Alex (Mii)
for Alex (Mii) in Miitopia: Denver's Curse
Suggested by bradenbaum
In this terrifying adaptation, Miitopia bleeds into the real world, transforming the quirky Nintendo game into a grotesque and horrifying experience. Set in modern-day Denver, Colorado, a group of friends discovers that their beloved game has somehow become intertwined with a malevolent force that manipulates their identities—and their very faces. They’ve customized their Mii avatars to resemble themselves, but with exaggerated features for fun. However, bizarre things begin happening after a mysterious update is downloaded into their game. The Miis they created—once cartoonish and harmless—begin to change in unnerving ways. Their faces twist into deformed, grotesque versions, and their eyes seem too real, too aware. As their in-game avatars become more disturbing, strange occurrences begin to plague the friends in real life.
