Age: 45
male
Ryan Thomas Gosling (born November 12, 1980) is a Canadian actor. Prominent in independent film, he has also worked in blockbuster films of varying genres, and has accrued a worldwide box office gross of over 1.9 billion USD. He has received various accolades, including a Golden Globe Award, and nominations for two Academy Awards and a BAFTA Award. Born and raised in Canada, he rose to prominence at age 13 for being a child star on the Disney Channel's The Mickey Mouse Club (1993–1995), and went on to appear in other family entertainment programs, including Are You Afraid of the Dark? (1995) and Goosebumps (1996). His first film role was as a Jewish neo-Nazi in The Believer (2001), and he went on to star in several independent films, including Murder by Numbers (2002), The Slaughter Rule (2002), and The United States of Leland (2003). Gosling gained wider recognition and stardom for the 2004 romance film The Notebook. This was followed by starring roles in a string of critically acclaimed independent dramas including Half Nelson (2006), for which he was nominated for the Academy Award for Best Actor. Gosling co-starred in three mainstream films in 2011, the romantic comedy Crazy, Stupid, Love and the action drama Drive, all of which were critical and commercial successes. He then starred in the acclaimed financial satire The Big Short (2015) and the romantic musical La La Land (2016), the latter of which won him the Golden Globe Award for Best Actor and a second Academy Award nomination for Best Actor. Further acclaim followed with the science fiction thriller Blade Runner 2049 (2017) and the biopic First Man (2018). In addition to acting, he made his directorial debut in 2014's Lost River.
New York Times bestselling and Alex, Nebula, and Hugo-Award-winning author Seanan McGuire introduces readers to a world of amoral alchemy, shadowy organizations, and impossible cities in this standalone fantasy. Meet Roger. Skilled with words, languages come easily to him. He instinctively understands how the world works through the power of story. Meet Dodger, his twin. Numbers are her world, her obsession, her everything. All she understands, she does so through the power of math. Roger and Dodger aren’t exactly human, though they don’t realise it. They aren’t exactly gods, either. Not entirely. Not yet. Meet Reed, skilled in the alchemical arts like his progenitor before him. Reed created Dodger and her brother. He’s not their father. Not quite. But he has a plan: to raise the twins to the highest power, to ascend with them and claim their authority as his own. Godhood is attainable. Pray it isn’t attained.
