
Age: 74
male
Robert Lee Zemeckis (born May 14, 1952) is an American filmmaker known for directing and producing a range of successful and influential movies. He often blends cutting-edge visual effects with storytelling. He has received several accolades, including an Academy Award and a Golden Globe Award, as well as nominations for five British Academy Film Awards and a Daytime Emmy Award. Zemeckis started his career directing the comedy films I Wanna Hold Your Hand (1978), Used Cars (1980), and Romancing the Stone (1984). He gained prominence directing the science-fiction comedy Back to the Future trilogy (1985–1990), the fantasy comedy Who Framed Roger Rabbit (1988), and the comedy-drama Forrest Gump (1994), the latter of which won Academy Awards for Best Picture and Best Director. He has also directed the satirical black comedy Death Becomes Her (1992), the science fiction film Contact (1997), and the drama films Cast Away (2000), Flight (2012), The Walk (2015), and Allied (2016). His exploration of motion capture techniques can be seen in the animated films The Polar Express (2004) and A Christmas Carol (2009), as well as the action fantasy drama Beowulf (2007) and the drama Welcome to Marwen (2018). He has collaborated with film composer Alan Silvestri since 1984 and directed Tom Hanks in five films. Description above from the Wikipedia article Robert Zemeckis, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Robert Zemeckis

Producer
for Producer in Mickey x Bugs: Creative Control
Suggested by tomzillawash3r3

In a world where cartoons and movies live among humans, two mega-billion dollar companies reign supreme in the world of entertainment, Disney and Warner Bros. Once creators of joy and imagination, these corporations have become massive, monopolizing titans that now drain creativity to fuel the corporate needs. Mickey Mouse is attacked by his haters since he’s Disney’s company mascot and Bugs Bunny feels underused as his animated projects were all cancelled by WB. The two icons decide to cross the bridge between companies and bring the magic back! Meanwhile, two successful CEOs of both companies are revealed to be far more complicated than ruthless businessmen. They entered the industry because of their shared love of cartoons and movies and have struggled to make everyone happy but by following demands by the system they ended up causing more problems for the audience. An alliance is formed not to destroy the studios they helped build, but to remind them why audiences fell in love with cartoons and movies in the first place.