Age: 66
male
From Wikipedia, the free encyclopedia. Tony Anselmo (born February 18, 1960) is an Animator, cartoon voice actor and, since 1985, the voice of Donald Duck. Anselmo was trained by the original voice of Donald, Clarence Nash. Anselmo has also shared voice-over duties (with Russi Taylor) for Donald's nephews, Huey, Dewey, and Louie since 1999. He voiced the nephews on Mickey Mouse Works and House of Mouse. (Taylor voiced the nephews in Ducktales, Once and Twice Upon a Christmas and Mickey's Speedway USA and Mickey Mouse Clubhouse (2006–2016) and Who Framed Roger Rabbit). He attended the Character Animation program at the California Institute of the Arts. Anselmo has also worked as a voice actor for the Kingdom Hearts series, which features Donald Duck as one of three main characters. As an animator, Anselmo has worked on such Disney theatrical films as The Little Mermaid, Beauty and the Beast, The Lion King, and Tarzan. In September 2009 Tony Anselmo was named a Disney Legend. Description above from the Wikipedia article Tony Anselmo, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Tony Anselmo
Donald Duck
for Donald Duck in Mickey x Bugs: Creative Control
Suggested by tomzillawash3r3
In a world where cartoons and movies live among humans, two mega-billion dollar companies reign supreme in the world of entertainment, Disney and Warner Bros. Once creators of joy and imagination, these corporations have become massive, monopolizing titans that now drain creativity to fuel the corporate needs. Mickey Mouse is attacked by his haters since he’s Disney’s company mascot and Bugs Bunny feels underused as his animated projects were all cancelled by WB. The two icons decide to cross the bridge between companies and bring the magic back! Meanwhile, two successful CEOs of both companies are revealed to be far more complicated than ruthless businessmen. They entered the industry because of their shared love of cartoons and movies and have struggled to make everyone happy but by following demands by the system they ended up causing more problems for the audience. An alliance is formed not to destroy the studios they helped build, but to remind them why audiences fell in love with cartoons and movies in the first place.
