Age: 94
male
John Towner Williams (born February 8, 1932) is an American composer and conductor. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scoresin cinema history. He has a distinct sound that mixes romanticism, impressionism and atonal music with complex orchestration. He is best known for his collaborations with Steven Spielberg and George Lucas and has received numerous accolades including 26 Grammy Awards, five Academy Awards, seven BAFTA Awards, three Emmy Awards and four Golden Globe Awards. With 54 Academy Award nominations, he is the second-most nominated person, after Walt Disney, and is the oldest Oscar nominee in any category, at 91 years old. Williams's early work as a film composer includes Valley of the Dolls (1967), Goodbye, Mr. Chips (1969), Images and The Cowboys (both 1972), The Long Goodbye (1973) and The Towering Inferno (1974). He has collaborated with Spielberg since The Sugarland Express (1974), composing music for all but five of his feature films. He received five Academy Awards for Best Score for Fiddler on the Roof (1971), Jaws (1975), Star Wars (1977), E.T. the Extra-Terrestrial (1982) and Schindler's List (1993). Other memorable collaborations with Spielberg include Close Encounters of the Third Kind (1977), the Indiana Jones franchise (1981–2023), Hook (1991), Jurassic Park (1993), Saving Private Ryan (1998), Catch Me If You Can (2002), War Horse (2011), Lincoln (2012), and The Fabelmans (2022). He also scored Superman (1978), the first two Home Alone films (1990–1992), and the first three Harry Potter films (2001–2004). Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops' principal conductor from 1980 to 1993 and is its laureate conductor. Other works by Williams include theme music for the 1984 Summer Olympic Games; NBC Sunday Night Football; "The Mission" theme (used by NBC News and Seven News in Australia); and the television series Lost in Space, Land of the Giants and Amazing Stories. Among other accolades, he has received the Kennedy Center Honor in 2004, the National Medal of the Arts in 2009 and the AFI Life Achievement Award in 2016. He was inducted into the Songwriters Hall of Fame in 1998, the Hollywood Bowl's Hall of Fame in 2000 and the American Classical Music Hall of Fame in 2004. He has composed the score for nine of the top 25 highest-grossing films at the U.S. box office. In 2022, Williams was appointed an Honorary Knight Commander of the Order of the British Empire (KBE) by Queen Elizabeth II, "for services to film music". In 2005, the American Film Institute placed Williams's score to Star Wars first on its list AFI's 100 Years of Film Scores; his scores for Jaws and E.T. also made the list. The Library of Congress entered the Star Wars soundtrack into the National Recording Registry for being "culturally, historically, or aesthetically significant". Description above from the Wikipedia article John Williams, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Michael has always had a rough life, growing up with a negligent single father and picking up an addiction to drugs by the age of 15. Things have finally been looking up for Michael lately after he met the love of his life Jocelyn, who helped him to overcome his addiction. That is, until Michael learns that Jocelyn has been sleeping with his best friend KJ in secret. Michael abandons all hope and turns back to the one thing that always seemed to help, drugs. After an insane drug fueled bender, Michael finds himself overdosing in a 7-Eleven bathroom where he sits eagerly waiting for it all to end as he reflects on his entire life. As a boy, Michael’s father resented him because his mother died in childbirth. Michael’s father blamed him for her death, and soon enough, Michael began to blame himself too. The young Michael quickly turned to drugs as a coping mechanism, which led him down a long path of suffering. Cut back to the present; Michael, now sprawled across the bathroom floor, clutching his one month sobriety token in his hand, finally comes to terms with his mother’s death and admits that it was never his fault. Michael cracks a tearful smile as he closes his eyes one last time as he drifts off.
