Age: 30
female
Florence Pugh (/pjuː/ PEW; born 3 January 1996) is an English actress. After making her acting debut in the drama film The Falling (2014), Pugh gained praise for starring in the independent drama Lady Macbeth (2016) and the miniseries The Little Drummer Girl (2018). Her international breakthrough came in 2019 with her portrayals of professional wrestler Paige in the sports film Fighting with My Family, a despondent American woman in the horror film Midsommar, and Amy March in the period drama Little Women. For the last of these, she was nominated for the Academy Award for Best Supporting Actress. Pugh has played Yelena Belova in the Marvel Cinematic Universe, starring in the films Black Widow (2021) and Thunderbolts* (2025) and the Disney+ miniseries Hawkeye (2021). In her highest-grossing releases, she voiced Goldilocks in Puss in Boots: The Last Wish (2022) and portrayed Jean Tatlock in Oppenheimer (2023) and Princess Irulan in Dune: Part Two (2024). She also continued to gain praise for her performances in dramas such as We Live in Time (2024). Description above from the Wikipedia article Florence Pugh, licensed under CC-BY-SA, full list of contributors on Wikipedia.
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
