
Age: 32
female
Hannah Dakota Fanning (born February 23, 1994) is an American actress. She rose to prominence at the age of seven for her performance as Lucy Dawson in the drama film I Am Sam (2001), for which she received a Screen Actors Guild Award nomination at the age of eight, making her the youngest nominee in SAG history. Fanning played major roles as a child actress in the films Uptown Girls (2003), The Cat in the Hat (2003), Man on Fire (2004), War of the Worlds (2005), Dreamer (2005), and Charlotte's Web (2006), and the eponymous character in Coraline (2009). Fanning followed with more mature roles, playing Lewellen in Hounddog (2007), Lily in The Secret Life of Bees (2008), Cherie Currie in The Runaways (2010) and Jane in The Twilight Saga (2009–2012). Throughout the 2010s, she continued appearing in independent productions such as the dramas Now Is Good (2012) and Night Moves (2013), the comedy-drama Very Good Girls (2013), and the biographical film Effie Gray (2014). In 2018, she appeared in the heist comedy Ocean's 8 and had a starring role in the period drama series The Alienist. She has since portrayed Manson girl Squeaky Fromme in the Quentin Tarantino film Once Upon a Time in Hollywood (2019) and First Daughter Susan Ford in the Showtime biographical drama series The First Lady (2022).

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
