Age: 58
male
Denis Villeneuve (born October 3, 1967) is a Canadian filmmaker. He has received seven Canadian Screen Awards as well as nominations for three Academy Awards, five BAFTA Awards, and two Golden Globe Awards. Villeneuve's films have grossed more than $1.8 billion worldwide. Villeneuve began his career in his home country, directing four French-language dramas: August 32nd on Earth (1998); Maelström (2000); Polytechnique (2009), a dramatisation of the 1989 École Polytechnique massacre; and Incendies (2010). The last of these gained him international prominence and earned a nomination for the Academy Award for Best International Feature Film. He expanded to English-language films by directing the thrillers Prisoners (2013), Enemy (2013), and Sicario (2015). Villeneuve gained wider recognition for directing science fiction films. His work on Arrival (2016) earned him a nomination for the Academy Award for Best Director. This was followed by Blade Runner 2049 (2017), which was critically lauded but financially unsuccessful. His next projects were Dune (2021) and Dune: Part Two (2024), a two-part adaptation of Frank Herbert's novel of the same name. Both films were critically and commercially successful, with the former earning him Academy Award nominations for Best Adapted Screenplay and Best Picture.
Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang from von Harbou's 1925 novel of the same name (which was intentionally written as a treatment). It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm. Erich Pommer produced it in the Babelsberg Studio for Universum Film A.G. (UFA). Metropolis is regarded as a pioneering science-fiction film, being among the first feature-length ones of that genre. Filming took place over 17 months in 1925–26 at a cost of more than five million Reichsmarks, or the equivalent of about €21 million. Made in Germany during the Weimar period, Metropolis is set in a futuristic urban dystopia and follows the attempts of Freder, the wealthy son of the city master, and Maria, a saintly figure to the workers, to overcome the vast gulf separating the classes in their city and bring the workers together with Joh Fredersen, the city master. The film's message is encompassed in the final inter-title: "The Mediator Between the Head and the Hands Must Be the Heart".
