Died at 63
female
Natasha Jane Richardson (11 May 1963 – 18 March 2009) was an English actress of stage and screen. A member of the Redgrave family, she was the daughter of actress Vanessa Redgrave and director/producer Tony Richardson and the granddaughter of Michael Redgrave and Rachel Kempson. Early in her career, she portrayed Mary Shelley and Patty Hearst in feature films, and she received critical acclaim and a Theatre World Award for her Broadway debut in the 1993 revival of Anna Christie. She won the Tony Award for Best Performance by a Leading Actress in a Musical, the Drama Desk Award for Outstanding Actress in a Musical, and the Outer Critics Circle Award for her performance as Sally Bowles in the 1998 Broadway revival of Cabaret. Some of her notable films included Patty Hearst (1988), The Handmaid's Tale (1990), Nell (1994), The Parent Trap (1998) and Maid in Manhattan (2002). Her first marriage to filmmaker Robert Fox ended in divorce in 1992. In 1994, she married Irish actor Liam Neeson, whom she had met when the two appeared in Anna Christie. The couple had two sons, Micheál and Daniel. Richardson's father died of AIDS-related causes in 1991. She helped raise millions of dollars in the fight against AIDS through the charity amfAR, the American Foundation for AIDS Research. Richardson died in 2009 following a head injury sustained when she fell during a skiing lesson in Quebec. Description above from the Wikipedia article Natasha Richardson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Natasha Richardson
Harper Marlowe
for Harper Marlowe in Men: 90s Edition
Suggested by Jeshisthename
Seeking refuge and solace after a horrifying loss, traumatized Harper flees London and holes up in a secluded manor in the idyllic English countryside. But healing, like change, takes time. And, haunted by painful memories and unbearable guilt, Harper thirsts for redemption. However, a brief exploration of the lush local landscapes reveals strange happenings as uncomfortable encounters thwart Harper's ambitious plans to bounce back. As a result, irremediable grief turns into a sinister undercurrent of malaise, and soon, sheer dread takes over. Now there's nowhere to hide. Can the slow, transformative process of repair in mind, body, and soul become an inescapable nightmare?
