Age: 36
female
Dakota Mayi Johnson (born October 4, 1989) is an American actress. The daughter of actors Don Johnson and Melanie Griffith, Johnson made her film debut at age ten with a minor role in Crazy in Alabama (1999), directed by her then-stepfather Antonio Banderas and starring her mother. After graduating from high school, she began auditioning for roles and had a minor part in The Social Network (2010). Johnson had her breakthrough playing the lead role in the erotic Fifty Shades film series (2015–2018). In 2016, she received a BAFTA Rising Star Award nomination and was featured in a Forbes 30 Under 30 list. Her profile grew with roles in the crime drama Black Mass (2015), the drama A Bigger Splash (2015), the romantic comedy How to Be Single (2016), the horror film Suspiria (2018), the thriller Bad Times at the El Royale (2018), the coming-of-age film The Peanut Butter Falcon (2019), the psychological drama The Lost Daughter (2021), the romantic drama Cha Cha Real Smooth (2022), and the superhero film Madame Web (2024). Description above from the Wikipedia article Dakota Johnson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In 1970s Baltimore, fourteen-year-old Mary Jane loves cooking with her mother, singing in her church choir, and enjoying her family’s subscription to the Broadway Showtunes of the Month record club. Shy, quiet, and bookish, she’s glad when she lands a summer job as a nanny for the daughter of a local doctor. A respectable job, Mary Jane’s mother says. In a respectable house. The house may look respectable on the outside, but inside it’s a literal and figurative mess: clutter on every surface, Impeachment: Now More Than Ever bumper stickers on the doors, cereal and takeout for dinner. And even more troublesome (were Mary Jane’s mother to know, which she does not): the doctor is a psychiatrist who has cleared his summer for one important job—helping a famous rock star dry out. A week after Mary Jane starts, the rock star and his movie star wife move in. Over the course of the summer, Mary Jane introduces her new household to crisply ironed clothes and a family dinner schedule, and has a front-row seat to a liberal world of sex, drugs, and rock and roll (not to mention group therapy). Caught between the lifestyle she’s always known and the future she’s only just realized is possible, Mary Jane will arrive at September with a new idea about what she wants out of life, and what kind of person she’s going to be
