Age: 54
male
Karl-Heinz Urban (born 7 June 1972) is a New Zealand actor. His career began with appearances in New Zealand films and TV series such as Xena: Warrior Princess. His first Hollywood role was in the 2002 horror film Ghost Ship. Since then, he has starred in many high-profile movies, including as Éomer in the second and third installments of The Lord of the Rings trilogy, Vaako in the second and third installments of Riddick film series, Leonard McCoy in the Star Trek reboot film series, Kirill in The Bourne Supremacy (2004), John "Reaper" Grimm in Doom (2005), Judge Dredd in Dredd (2012), Gavin Magary in Pete's Dragon (2016), and Skurge in Marvel Studios' Thor: Ragnarok (2017). In 2013, he starred in the sci-fi series Almost Human. Since 2019, he has starred as Billy Butcher in Amazon's superhero streaming television series The Boys.
Karl Urban
Wolverine
for Wolverine in Fantastic Four: First Steps
Suggested by kingultron2
The Fantastic Four: First Steps (released July 25, 2025) reboot‑reintroduces Marvel’s First Family in an alternate, retro‑futuristic Earth‑828 inspired by 1960s aesthetics. Directed by Matt Shakman, the film skips the traditional origin story, presenting Reed Richards and Sue Storm as established heroes already expecting their first child, Franklin. Their team—including Ben Grimm (The Thing) and Johnny Storm (Human Torch)—must suddenly confront the cosmic threat of Galactus and his herald, Silver Surfer (Shalla‑Bal). The story mainly revolves around the family’s struggle to protect Earth by constructing massive teleportation “bridges” that could relocate the entire planet—and ultimately leveraging Franklin’s nascent reality‑warping powers to outwit the world‑devouring deity . Critics have praised the film’s vibrant production design, nostalgic tone, and strong performances—especially by Pedro Pascal (Reed), Vanessa Kirby (Sue), Ebon Moss‑Bachrach (Ben), and Joseph Quinn (Johnny)—but many fault it for its more serious, exposition‑heavy storytelling and minimal character arc development. Reviews note that humor and emotional nuance—hallmarks of previous Fantastic Four adaptations—are largely absent, creating a more somber, streamlined tone. Still, the retro‑futuristic visuals, Michael Giacchino’s score, and a hopeful message about family and unity elevate it as a “promising revitalization” of the franchise, even if it feels tonally uneven at times.
