Age: 60
male
Jeffrey Wright (born December 7, 1965) is an American actor. His first starring film role was as Jean-Michel Basquiat in Basquiat (1996). His other notable films include Syriana (2005), Lady in the Water (2006), Cadillac Records (2008), The Ides of March (2011), and Rustin (2023). He has also acted in the Wes Anderson films The French Dispatch (2021), Asteroid City (2023) and The Phoenician Scheme (2025), and has played Peoples Hernandez in Shaft (2000), Felix Leiter in the James Bond films Casino Royale (2006), Quantum of Solace (2008), and No Time to Die (2021), Beetee Latier in The Hunger Games films, and Jim Gordon in The Batman (2022). He received a nomination for the Academy Award for Best Actor for his performance in American Fiction (2023).
Jeffrey Wright
Uatu
for Uatu in Fantastic Four: First Steps
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The Fantastic Four: First Steps (released July 25, 2025) reboot‑reintroduces Marvel’s First Family in an alternate, retro‑futuristic Earth‑828 inspired by 1960s aesthetics. Directed by Matt Shakman, the film skips the traditional origin story, presenting Reed Richards and Sue Storm as established heroes already expecting their first child, Franklin. Their team—including Ben Grimm (The Thing) and Johnny Storm (Human Torch)—must suddenly confront the cosmic threat of Galactus and his herald, Silver Surfer (Shalla‑Bal). The story mainly revolves around the family’s struggle to protect Earth by constructing massive teleportation “bridges” that could relocate the entire planet—and ultimately leveraging Franklin’s nascent reality‑warping powers to outwit the world‑devouring deity . Critics have praised the film’s vibrant production design, nostalgic tone, and strong performances—especially by Pedro Pascal (Reed), Vanessa Kirby (Sue), Ebon Moss‑Bachrach (Ben), and Joseph Quinn (Johnny)—but many fault it for its more serious, exposition‑heavy storytelling and minimal character arc development. Reviews note that humor and emotional nuance—hallmarks of previous Fantastic Four adaptations—are largely absent, creating a more somber, streamlined tone. Still, the retro‑futuristic visuals, Michael Giacchino’s score, and a hopeful message about family and unity elevate it as a “promising revitalization” of the franchise, even if it feels tonally uneven at times.
