Age: 37
female
Lily Chloe Ninette Thomson (born 5 April 1989), known professionally as Lily James, is an British actress. She studied acting at the Guildhall School of Music and Drama in London. She began her career in the British television series Just William (2010). Following a supporting role in the period drama series Downton Abbey (2012–2015), her breakthrough was the title role in the fantasy film Cinderella (2015). James went on to portray Natasha Rostova in the television adaptation of War & Peace (2016). She starred in several films, including the action film Baby Driver (2017), the period dramas Darkest Hour (2017), The Guernsey Literary and Potato Peel Pie Society (2018) and The Dig (2021), the musicals Mamma Mia! Here We Go Again (2018) and Yesterday (2019), and the sports drama The Iron Claw (2023). Her portrayal of Pamela Anderson in the biographical series Pam & Tommy (2022) earned her nominations for a Golden Globe and a Primetime Emmy Award. Description above from the Wikipedia article Lily James, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Lily James
Sue Storm
for Sue Storm in Fantastic Four: First Steps
Suggested by mariusioannesp
The Fantastic Four: First Steps (released July 25, 2025) reboot‑reintroduces Marvel’s First Family in an alternate, retro‑futuristic Earth‑828 inspired by 1960s aesthetics. Directed by Matt Shakman, the film skips the traditional origin story, presenting Reed Richards and Sue Storm as established heroes already expecting their first child, Franklin. Their team—including Ben Grimm (The Thing) and Johnny Storm (Human Torch)—must suddenly confront the cosmic threat of Galactus and his herald, Silver Surfer (Shalla‑Bal). The story mainly revolves around the family’s struggle to protect Earth by constructing massive teleportation “bridges” that could relocate the entire planet—and ultimately leveraging Franklin’s nascent reality‑warping powers to outwit the world‑devouring deity . Critics have praised the film’s vibrant production design, nostalgic tone, and strong performances—especially by Pedro Pascal (Reed), Vanessa Kirby (Sue), Ebon Moss‑Bachrach (Ben), and Joseph Quinn (Johnny)—but many fault it for its more serious, exposition‑heavy storytelling and minimal character arc development. Reviews note that humor and emotional nuance—hallmarks of previous Fantastic Four adaptations—are largely absent, creating a more somber, streamlined tone. Still, the retro‑futuristic visuals, Michael Giacchino’s score, and a hopeful message about family and unity elevate it as a “promising revitalization” of the franchise, even if it feels tonally uneven at times.
