Age: 37
female
Melissa Marie Benoist (born October 4, 1988) is an American actress, singer and producer. Her first major role was Marley Rose on the Fox musical comedy drama Glee (2012–2014), where she was a series regular during the fifth season. She rose to widespread prominence for portraying the title character on the CBS / CW superhero series Supergirl (2015–2021), along with related media in the Arrowverse franchise. Benoist's film appearances include the psychological drama Whiplash (2014), the comedy drama Danny Collins (2015), the crime comedy Band of Robbers (2015), the romantic Western The Longest Ride (2015), the action thriller Patriots Day (2016), the drama Lowriders (2016), and the comedy drama Sun Dogs (2017). She also portrayed the wife of cult leader David Koresh on the Paramount Network miniseries Waco (2018). On stage, Benoist made her Broadway debut in 2018 as Carole King in the jukebox musical Beautiful: The Carole King Musical.
Melissa Benoist
Stardust
for Stardust in Fantastic Four: First Steps
Suggested by kingultron2
The Fantastic Four: First Steps (released July 25, 2025) reboot‑reintroduces Marvel’s First Family in an alternate, retro‑futuristic Earth‑828 inspired by 1960s aesthetics. Directed by Matt Shakman, the film skips the traditional origin story, presenting Reed Richards and Sue Storm as established heroes already expecting their first child, Franklin. Their team—including Ben Grimm (The Thing) and Johnny Storm (Human Torch)—must suddenly confront the cosmic threat of Galactus and his herald, Silver Surfer (Shalla‑Bal). The story mainly revolves around the family’s struggle to protect Earth by constructing massive teleportation “bridges” that could relocate the entire planet—and ultimately leveraging Franklin’s nascent reality‑warping powers to outwit the world‑devouring deity . Critics have praised the film’s vibrant production design, nostalgic tone, and strong performances—especially by Pedro Pascal (Reed), Vanessa Kirby (Sue), Ebon Moss‑Bachrach (Ben), and Joseph Quinn (Johnny)—but many fault it for its more serious, exposition‑heavy storytelling and minimal character arc development. Reviews note that humor and emotional nuance—hallmarks of previous Fantastic Four adaptations—are largely absent, creating a more somber, streamlined tone. Still, the retro‑futuristic visuals, Michael Giacchino’s score, and a hopeful message about family and unity elevate it as a “promising revitalization” of the franchise, even if it feels tonally uneven at times.
