Age: 30
male
Paul Colm Michael Mescal (/ˈmɛskəl/ MESS-kəl; born 2 February 1996) is an Irish actor. Born in Maynooth, he studied acting at The Lir Academy and then performed in plays in Dublin theatres. He rose to fame with his role in the miniseries Normal People (2020), earning a BAFTA TV Award and a nomination for a Primetime Emmy Award. Mescal progressed to film acting with roles in the psychological dramas The Lost Daughter (2021) and God's Creatures (2022). His starring roles as a troubled father in Aftersun (2022) and a mysterious neighbour in All of Us Strangers (2023) earned him nominations for BAFTA Film Awards in addition to a nomination for an Academy Award for the former. He received a Laurence Olivier Award for his portrayal of Stanley Kowalski in a 2022 revival of the play A Streetcar Named Desire. Mescal expanded to big-budget films with a leading role in the historical action film Gladiator II (2024).
Paul Mescal
Johnny Storm
for Johnny Storm in Fantastic Four: First Steps
Suggested by mariusioannesp
The Fantastic Four: First Steps (released July 25, 2025) reboot‑reintroduces Marvel’s First Family in an alternate, retro‑futuristic Earth‑828 inspired by 1960s aesthetics. Directed by Matt Shakman, the film skips the traditional origin story, presenting Reed Richards and Sue Storm as established heroes already expecting their first child, Franklin. Their team—including Ben Grimm (The Thing) and Johnny Storm (Human Torch)—must suddenly confront the cosmic threat of Galactus and his herald, Silver Surfer (Shalla‑Bal). The story mainly revolves around the family’s struggle to protect Earth by constructing massive teleportation “bridges” that could relocate the entire planet—and ultimately leveraging Franklin’s nascent reality‑warping powers to outwit the world‑devouring deity . Critics have praised the film’s vibrant production design, nostalgic tone, and strong performances—especially by Pedro Pascal (Reed), Vanessa Kirby (Sue), Ebon Moss‑Bachrach (Ben), and Joseph Quinn (Johnny)—but many fault it for its more serious, exposition‑heavy storytelling and minimal character arc development. Reviews note that humor and emotional nuance—hallmarks of previous Fantastic Four adaptations—are largely absent, creating a more somber, streamlined tone. Still, the retro‑futuristic visuals, Michael Giacchino’s score, and a hopeful message about family and unity elevate it as a “promising revitalization” of the franchise, even if it feels tonally uneven at times.
