Age: 81
male
Michael Kirk Douglas (born September 25, 1944) is a retired American actor and film producer. He has received numerous accolades, including two Academy Awards, five Golden Globe Awards, a Primetime Emmy Award, the Cecil B. DeMille Award, and the AFI Life Achievement Award. The elder son of Kirk Douglas and Diana Dill, Douglas earned his Bachelor of Arts in drama from the University of California, Santa Barbara. His early acting roles included film, stage, and television productions. Douglas first achieved prominence for his performance in the ABC police procedural television series The Streets of San Francisco, for which he received three consecutive Emmy Award nominations. In 1975, Douglas produced One Flew Over the Cuckoo's Nest, having acquired the rights to the Ken Kesey novel from his father. The film received critical and popular acclaim and won the Academy Award for Best Picture, earning Douglas his first Oscar as one of the film's producers. Douglas went on to produce films including The China Syndrome (1979) and Romancing the Stone (1984), for which he received the Golden Globe Award for Best Motion Picture—Musical or Comedy, and The Jewel of the Nile (1985). Douglas received critical acclaim for his portrayal of Gordon Gekko in Oliver Stone's Wall Street (1987), for which he won the Academy Award for Best Actor (a role he reprised in the sequel Wall Street: Money Never Sleeps in 2010). Other notable roles include in Fatal Attraction (1987), The War of the Roses (1989), Basic Instinct (1992), Falling Down (1993), The American President (1995), The Game (1997), Traffic (2000), and Wonder Boys (2000). In 2013, for his portrayal of Liberace in the HBO film Behind the Candelabra, he won the Primetime Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie. Douglas starred as an ageing acting coach in the Netflix comedy series The Kominsky Method (2018–2021), for which he won a Golden Globe Award for Best ctor—television series musical or omedy. He has portrayed Hank Pym in the Marvel Cinematic Universe, beginning with Ant-Man (2015). Douglas has received notice for his humanitarian and political activism. He sits on the board of the Nuclear Threat Initiative, is an honorary board member of the anti-war grant-making foundation Ploughshares Fund, and he was appointed as a United Nations Messenger of Peace in 1998. He has been married to actress Catherine Zeta-Jones since 2000. In July 2025, Douglas said that he was largely retired from acting, saying "I realized I had to stop [...] I did not want to be one of those people who dropped dead on the set". He added that while he was attached to one additional project and did not fully rule out future projects "if something special came up", he had no plans to work regularly again.
Michael Douglas
Jellowjacket
for Jellowjacket in Fantastic Four: First Steps
Suggested by kingultron2
The Fantastic Four: First Steps (released July 25, 2025) reboot‑reintroduces Marvel’s First Family in an alternate, retro‑futuristic Earth‑828 inspired by 1960s aesthetics. Directed by Matt Shakman, the film skips the traditional origin story, presenting Reed Richards and Sue Storm as established heroes already expecting their first child, Franklin. Their team—including Ben Grimm (The Thing) and Johnny Storm (Human Torch)—must suddenly confront the cosmic threat of Galactus and his herald, Silver Surfer (Shalla‑Bal). The story mainly revolves around the family’s struggle to protect Earth by constructing massive teleportation “bridges” that could relocate the entire planet—and ultimately leveraging Franklin’s nascent reality‑warping powers to outwit the world‑devouring deity . Critics have praised the film’s vibrant production design, nostalgic tone, and strong performances—especially by Pedro Pascal (Reed), Vanessa Kirby (Sue), Ebon Moss‑Bachrach (Ben), and Joseph Quinn (Johnny)—but many fault it for its more serious, exposition‑heavy storytelling and minimal character arc development. Reviews note that humor and emotional nuance—hallmarks of previous Fantastic Four adaptations—are largely absent, creating a more somber, streamlined tone. Still, the retro‑futuristic visuals, Michael Giacchino’s score, and a hopeful message about family and unity elevate it as a “promising revitalization” of the franchise, even if it feels tonally uneven at times.
