Age: 50
female
Alison Elizabeth "Ali" Larter (born February 28, 1976) is an American actress best known for playing the dual roles of Niki Sanders and Tracy Strauss on the NBC science fiction drama Heroes. She also appeared in guest roles on several television shows in the 1990s. Her screen debut came in the 1999 film Varsity Blues, followed by the horror films House on Haunted Hill and Final Destination. Major supporting roles in the comedy Legally Blonde and the romantic comedy A Lot Like Love led her to lead roles as the titular character in the Bollywood film Marigold and in the 2009 thriller Obsessed. Larter achieved wider fame after her portrayal of video game heroine Claire Redfield in the successful films, Resident Evil: Extinction and Resident Evil: Afterlife. Larter frequently appears in "Hot" lists compiled by Maxim, FHM and Stuff as well as People magazine's "Best Dressed List" in 2007. After a three year relationship, Larter married actor Hayes MacArthur in a small ceremony in Maine in August 2009. The couple have a son, born December 2010. Description above from the Wikipedia article Ali Larter, licensed under CC-BY-SA, full list of contributors on Wikipedia
In the shadowy recesses of a seemingly ordinary world, the Mandela Catalogue unfurls a tale of dread, where reality becomes a hunting ground for malevolent beings known as Alternates. These entities are shapeshifters, mimicking their human victims with unnerving precision, but beneath their facade lies pure malevolence. As people vanish or meet gruesome fates, the Alternates weave their insidious presence into everyday life, turning familiar faces into vessels of terror. The ordinary becomes a maze of suspicion and dread, where trust is a relic of the past, and every encounter could herald the end of one's sanity or life. The story spirals deeper into horror as the protagonists, ordinary individuals trying to comprehend the incomprehensible, face relentless psychological torment. They uncover cryptic broadcasts and messages revealing the Alternates’ invasion, each revelation chipping away at their sanity. The eerie soundscapes and visuals, distorted and fragmented, reflect the shattering of reality itself. The terror escalates as the protagonists realize the true horror lies not in the physical manifestations of the Alternates, but in understanding that these entities feed on fear, manipulating reality. Every shadow, every flicker of doubt, every whisper in the night could be the Alternates, making the safety of the known world a distant memory, replaced by an endless night of paranoia and existential dread.
