Age: 48
male
Justin Jacob Long (born June 2, 1978) is an American actor, comedian, director and screenwriter. He is known for his film roles in Galaxy Quest, Jeepers Creepers, Dodgeball, Accepted, Live Free or Die Hard, He's Just Not That into You, Drag Me to Hell, and Youth in Revolt. He voiced Alvin Seville in the live-action Alvin and the Chipmunks film series. He is also known for his personification of a Mac in Apple's "Get a Mac" advertising campaign (2006–2009), and appeared as himself in Intel's "Go PC" campaign. During an episode of the podcast Armchair Expert with Dax Shepard, Long revealed that he was the victim of a drugging and abduction during the filming of Youth In Revolt while in Michigan. He had a relationship with Drew Barrymore that was on and off between 2007 and 2010. He also dated Amanda Seyfried from 2013 to 2015. In January 2022, it was reported that he was dating actress Kate Bosworth. In April 2023, the couple announced their engagement and they married in May 2023, less than two months after getting engaged.
In the shadowy recesses of a seemingly ordinary world, the Mandela Catalogue unfurls a tale of dread, where reality becomes a hunting ground for malevolent beings known as Alternates. These entities are shapeshifters, mimicking their human victims with unnerving precision, but beneath their facade lies pure malevolence. As people vanish or meet gruesome fates, the Alternates weave their insidious presence into everyday life, turning familiar faces into vessels of terror. The ordinary becomes a maze of suspicion and dread, where trust is a relic of the past, and every encounter could herald the end of one's sanity or life. The story spirals deeper into horror as the protagonists, ordinary individuals trying to comprehend the incomprehensible, face relentless psychological torment. They uncover cryptic broadcasts and messages revealing the Alternates’ invasion, each revelation chipping away at their sanity. The eerie soundscapes and visuals, distorted and fragmented, reflect the shattering of reality itself. The terror escalates as the protagonists realize the true horror lies not in the physical manifestations of the Alternates, but in understanding that these entities feed on fear, manipulating reality. Every shadow, every flicker of doubt, every whisper in the night could be the Alternates, making the safety of the known world a distant memory, replaced by an endless night of paranoia and existential dread.
