Age: 48
male
Son of Augustin Rodriguez and Andres Botet Servilia Maria del Carmen Lopez Nieto. After living his first five years in his hometown, due to the work of his father, he moved to live another five years to Cuenca, followed by two years in Almería and finally to Granada where he lived until graduating from Fine Arts in 2001 . In 2002 he moved to Madrid where he lived until 2009 at least. At 5 years you are diagnosed with Marfan Syndrome, and is involved in Madrid to solve your pectus excavatum, at age 20 because of back problems and later at 28 to prevent problems themselves aortic disease. Hypermobility of certain tissues that carries this syndrome give extremely long, thin fingers and a height of 2 meters and a peculiar physical aspect, coupled with his willingness to performing arts, offered his first chance in the world of cinema in a horror film directed by Brian Yuzna: Beneath stil water (2005); after these follow other special success, especially Rec (2007), directed by Jaume Balagueró and Paco Plaza; He has also acted as occasional actor in numerous television serials such as Planta 25, The looming, Genesis, Los hombres de Paco and Pluto BRB Nero etc. In 2010 Botet embodies one of the roles of Frankenstein (same rendering two actors play the monster) in the stage adaptation titled Frankenstein, directed by Gustavo Tambascio and which shares the bill with players like Raul Eduardo Peña or Casanova.La play was performed in the Canal Theatre in the Community of Madrid. Plays the haunting "Mama" Mama's hit movie produced by Guillermo del Toro released in 2013. Coming shoot a movie with Neve Campbell and Dougray Scott called Division 19.
In the shadowy recesses of a seemingly ordinary world, the Mandela Catalogue unfurls a tale of dread, where reality becomes a hunting ground for malevolent beings known as Alternates. These entities are shapeshifters, mimicking their human victims with unnerving precision, but beneath their facade lies pure malevolence. As people vanish or meet gruesome fates, the Alternates weave their insidious presence into everyday life, turning familiar faces into vessels of terror. The ordinary becomes a maze of suspicion and dread, where trust is a relic of the past, and every encounter could herald the end of one's sanity or life. The story spirals deeper into horror as the protagonists, ordinary individuals trying to comprehend the incomprehensible, face relentless psychological torment. They uncover cryptic broadcasts and messages revealing the Alternates’ invasion, each revelation chipping away at their sanity. The eerie soundscapes and visuals, distorted and fragmented, reflect the shattering of reality itself. The terror escalates as the protagonists realize the true horror lies not in the physical manifestations of the Alternates, but in understanding that these entities feed on fear, manipulating reality. Every shadow, every flicker of doubt, every whisper in the night could be the Alternates, making the safety of the known world a distant memory, replaced by an endless night of paranoia and existential dread.
