Age: 29
male
Jacob Elordi (born 26 June 1997) is an Australian actor. After moving to Los Angeles in 2017 to pursue an acting career, he gained prominence with his role as Noah Flynn, the bad boy love interest, in Netflix's The Kissing Booth film series (2018–2021). He also became known for his role as troubled high school football player Nate Jacobs in HBO's teen drama series Euphoria (2019–present). In 2023, he starred as Elvis Presley in the biographical film Priscilla and as a wealthy university student in Saltburn, which earned him a nomination for the BAFTA Award for Best Actor in a Supporting Role. Description above from the Wikipedia article Jacob Elordi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In the shadowy recesses of a seemingly ordinary world, the Mandela Catalogue unfurls a tale of dread, where reality becomes a hunting ground for malevolent beings known as Alternates. These entities are shapeshifters, mimicking their human victims with unnerving precision, but beneath their facade lies pure malevolence. As people vanish or meet gruesome fates, the Alternates weave their insidious presence into everyday life, turning familiar faces into vessels of terror. The ordinary becomes a maze of suspicion and dread, where trust is a relic of the past, and every encounter could herald the end of one's sanity or life. The story spirals deeper into horror as the protagonists, ordinary individuals trying to comprehend the incomprehensible, face relentless psychological torment. They uncover cryptic broadcasts and messages revealing the Alternates’ invasion, each revelation chipping away at their sanity. The eerie soundscapes and visuals, distorted and fragmented, reflect the shattering of reality itself. The terror escalates as the protagonists realize the true horror lies not in the physical manifestations of the Alternates, but in understanding that these entities feed on fear, manipulating reality. Every shadow, every flicker of doubt, every whisper in the night could be the Alternates, making the safety of the known world a distant memory, replaced by an endless night of paranoia and existential dread.
