Age: 51
female
Amy Lou Adams (born August 20, 1974) is an American actress. Known for both her comedic and dramatic roles, she has been featured three times in annual rankings of the world's highest-paid actresses. She has received various accolades, including two Golden Globe Awards. She has been nominated for six Academy Awards, seven British Academy Film Awards, and two Primetime Emmy Awards. Adams began her career as a dancer in dinner theatre, a pursuit she followed from 1994 to 1998. They made her film debut with a supporting part in the dark comedy Drop Dead Gorgeous (1999). She made guest appearances on television and took on roles as the "mean girl" in low-budget feature films. Her first major role was in Steven Spielberg's biopic Catch Me If You Can (2002), but she was unemployed for a year afterwards. Her breakthrough came when she portrayed a loquacious pregnant woman in the independent comedy-drama Junebug(2005), for which she received her first Academy Award nomination. The musical fantasy film Enchanted (2007), in which Adams played a cheerful princess-to-be, marked her first success in a leading role. She followed it by playing other naïve, optimistic women in films like the drama Doubt (2008). Subsequently, she played more assertive parts, earning positive reviews, in the sports film The Fighter (2010) and the psychological drama The Master (2012). From 2013 to 2017, she portrayed Lois Lane in superhero films set in the DC Extended Universe. She won two consecutive Golden Globe Awards for Best Actress for playing a seductive con artist in the crime film American Hustle (2013) and painter Margaret Keane in the biopic Big Eyes (2014). Further acclaim came for playing a linguist in the science fiction film Arrival (2016), a self-harming reporter in the HBO miniseries Sharp Objects (2018), and Lynne Cheney in the satire Vice (2018). Adams' stage roles include the 2012 revival of Into the Woods at the Public Theatre and the 2022 West End revival of The Glass Menagerie. In 2014, she was named one of the 100 most influential people in the world by Time and featured in the Forbes Celebrity 100 list. Description above from the Wikipedia article Amy Adams, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Similar to the original film, but with changes. Notably Superman saving people more frequently, less heavy destruction, and a more hopeful outlook on the film. Honestly, I think the script could be very similar to what we got with some changes to make it more endearing. For starters, both of the Kents are more supportive of Clark. Pa Kent is still the more protective of the two, but he is less harsh than the Snyder version and both Jonathan and Martha live. I think the Kryptonians can be reduced to Zod, Faora, and Nam-Ek, to mirror the Phantom Zone trio of the Donner films. Because of that, the collateral damage is much smaller in scale. I’d also like to change the setting of the final battle to the agricultural portion of Smallville, that way civilian damage is much smaller. I would also inject a scene during Clark’s school days where he uses his X-Ray vision to see that his teacher has a brain tumor. How does he do this? He compares her brain to that of the other adults and notices it. We use that scene as a reference, so when he is fighting the other Kryptonians, he basically pulls the same move from Superman vs the Elite. He sees the difference in Kryptonian brains and human brains and severs their connection, rendering them powerless (at least by the end of this film). The film would end with Superman taking the Kryptonian criminals to the authorities and helping Smallville rebuild. Then, we get the shot of Superman moving to Metropolis to join the Daily Planet to work with Lois, who he still built a connection with over the course of this film. There is a post credits scene of a Parademon returning to Apokolips and reporting his discovery of Superman to Darkseid, who replies, "Very well."
